Vasiliy Filileev and Mikhail Sedov at Moscow design and motion studio Subframe: “‘Breath’ [is an] exploration art film that reflects simulation as a challenge to animate these magical dynamic objects in an artistic way, even though the viewer is consuming them through a stylized view.”
[Watch]
Creative Director Nadia Tzuo at Elastic in Los Angeles: “We were fortunate to have the chance to explore the magical Grishaverse with the design of the launch tease of Shadow and Bone. We worked closely with the Netflix team on concept and look development, keeping a minimal narrative that focuses on Morozova’s stag and a few key elements from the story. [Watch]
Following on his ode to the Saab S9 this past summer, director/designer Ash Thorp teams with London automotive CGI artist Carlos Pecino (aka ColorSponge) to wrap a temporal composite vehicle called the Evinetta in mystery and atmosphere. [Watch]
While design events (live and virtual) play a crucial role in connecting and inspiring all of us in the creative industries, they also provide exceptional opportunities for the studios invited to create titles and promotional assets. [Watch]
Unchained from the run-time constraints, hefty media buys, and content rules of television, films produced for online/social distribution have matured into a brand’s most powerful weapon for telling more complex and emotional stories. [Watch]
While the explosion of scripted programming over the last five years has kept title design studios bustling, show opens have also emerged as an important showcase of choice for motion design passion projects. [Watch]
