Here’s the latest in our ongoing series of FEED exclusive interviews with our favorite creative types, an upfront and forthcoming interview with Favorite Color creative director Frank Pichel. (more…)
Feed chats up UK directing duo Alan Smith and Adam Foulkes to get the skinny on making “This Way Up” and their biggest fears of hitting the red carpet at the Academy Awards in LA on Feb 22nd. (more…)
Next up in our ongoing series of director interviews, we proudly present a few words of wisdom from Chris Smith, Jesse Casey, and Michelle Higa, the directing trio better known as Mixtape Club. (more…)
To my gleeful delight I present this FEED exclusive interview with director David Lobser, full of pensive reflections on animation, inspiration and fetishism that have made my day, and hopefully yours too. (more…)
Mark Coleran’s visual, screen and interface designs appear in The Bourne Ultimatum, Children of Men, Mission Impossible 3, The Island, The Bourne Identity, Tomb Raider, and Harry Potter and the Prisoner of Azkaban. In anticipation of his two talks at this year’s motion08 conference, FEED presents this interview with Mark Coleran. (more…)
FEED recently caught up with NY animation studio Nathan Love to talk about life after Psyop and all the little things that make their studio tick; classic rock, decapitated dolls, and spreading their love for cool characters. (more…)
Buck CDs Ryan Honey and Orion Tait dish on the spot they can’t show you and give Feed readers an exclusive look at their reel of pitch boards and style-frames. (more…)
The 2008 Webby In Motion contest that offered anyone equipped with Adobe® software and creativity to spare a chance to produce the twenty-second video that would introduce award categories during The 12th Annual Webby Awards ceremony came to a close last week. (more…)
Whacko humor, a French eyeball, meathead tongues with elephant feet – these Coke Zero spots have it all. So why was the campaign kept under wraps for eight months? FEED gets to the bottom of it all with directors againstallodds and Passion Pictures.
The Aardman director takes us behind the scenes of his “beautifully ugly film” honored at more than 20 festivals and 2008 BAFTA winner for Best Animated Short.
Heathrow talks to directors Johanne St-Marie and Mark Lomond of Fluorescent Hill and discovers the secret to the Montreal studio’s growing reputation.
During ADAPT 2007, I had the pleasure of sitting down with stop motion animation innovator, turned modern digital VFX giant Phil Tippett. Currently the head and founder of Tippett Studios in Berkley, CA, Phil’s resume is an intimidating (more…)
