Gentleman Scholar show off their typographic and multi-media chops with this perfectly-paced clip for HP’s new Sprout 3D-scanning PC thru 180LA. “The vignettes were crafted to conjure both the nostalgia of physical artistry and the exciting possibilities of digital immersion, with the typography acting as a [Watch]
Kyle Cooper and his team dare you to look too closely at their opening sequence for FX Network’s “American Horror Story: Freak Show,” a disturbing mix of stop-motion grotesquery, 2D nightmares and live action creep-outs housed in carefully crafted miniature environments and all shot in the Prologue garage in Venice, CA. [Watch]
Partizan director/animator Victor Haegelin follows up the quirky charm of “Professor Kliq” with a more ambitious stop motion project called “Captain 3D.”
The film, which makes beautiful use of 3D-printed replacement facial animation, was shot in August but needs your help to finish the post via this page on crowd funding site Ulule.
[Watch]
Take a look at the unbelievable level of detail and craftsmanship Vetor Zero and Lobo invested in Gabriel Nobrega’s allegorical stop-motion film “Drugo,” produced as “a tool to explain the drug war and broaden the debate with the general public.”
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Buck breaks out their full toolbox including “clay, spray paint, wood, lasers and a sprinkle of lolcats” to create this bright and brisk online video for onwardinternet.com (aka the internet suggestion box) thru digital agency Possible. [Watch]
Although best known for their striking 3D animated work, London’s ManvsMachine rebrand the film domain of UK broadcaster Channel 4 with an intriguing mix of live action, stop motion (the logo) and digital post production (provided by Analog).
MvsM say they developed “a contemporary take on a classic film strip / projector effect… to give the package a visual signature beyond the logo.
“The idents see the technique applied to cinematic live action compositions, presenting the Film4 logo in various locations. Each location/scene carefully crafted to elicit a variety of different moods.
“Idents begin ambiguously before seamlessly branching off into one of three possible endings, making minimal adjustments to shift the mood dramatically.”
Watch the finished IDs with all three of their alternate endings:
[Watch]
