Sam Brown_Waitrose Coming home | STASH MAGAZINE

Sam Brown and The Mill: Waitrose “Coming Home”

In the rush of 2016 holiday spots you may have missed this one (we did): the migratory adventures of an intrepid Scandinavian Robin brought to life in impeckable feathery detail by Rogue director Sam Brown and the VFX crew at The Mill in London. [Watch]

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Best of Stash 2016: Music Videos

Most often fueled by passion rather than proper budgets, music videos are the wild west of media genres – a place where passion and promise more than compensate for a director’s lack of experience or connections, or both. Have a look at the nine most intriguing examples Stash published this year. [Watch]

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Best of Stash 2016: TV & Cinema Advertising

As ad campaigns expand and blur across a growing number of platforms, the most coveted bragging rights (and budgets) most often remain with work intended for television and cinema screens. So let’s kick off the Best of Stash 2016 with 10 stand out commercials everyone needs to see. [Watch]

2016 holiday animation | STASH MAGAZINE

Holiday Films 2016: Volume 1

With Xmas only 12 days away it’s high time we rounded up some offbeat animated holiday videos including Maki Yoshikura’s surreal looping magic in “Christmas Sausage,” Superfiction’s stylized quest for missing reindeer in “Merry Christmas,” and Mill+’s understated look at over-indulgence in “The Dinner.” [Watch]

Stash 120 Now Online: Watch the Preview!

Twelve years and 120 issues later, the Stash Permanent Collection keeps growing – delivering inspiration and insight to subscribers on six continents with access to over 4,400 outstanding design, animation and VFX projects PLUS behind-the-scenes features and exclusive Stash interviews. [Watch]

Audi Duel | STASH MAGAZINE

Ringan Ledwidge and The Mill: Audi “Duel”

One bright spot in the otherwise cringe-inducing first presidential debate of 2016, was the launch of another man vs woman “Duel” in the form of this :90 blast of action for Audi from Rattling Stick director Ringan Ledwidge with invisible VFX from The Mill. [Watch]

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