• Sprinklr Square Peg | STASH MAGAZINE

    Mighty Nice: Sprinklr “Square Peg”

    Mighty Nice (the Sydney studio led by the former head of 3D at Nexus, Darren Price) elevates the brand narrative genre with this gentle, golden-hued tale for social media management platform Sprinklr. [Read more]

Land of the Rising Rainbowlava

Behold Amautalab’s 30 sec. piece for Tokyo Now.  "We wanted to show how Japan reivented itself after the war."  I’m so glad that Japan reinvented itself into some kind of wonderful friendly-looking island monster.  I feel like I want to try and draw a picture of what the US has reinvented itself into only it […] [Read more]


The second wave of the popular THUNDERMUTT series is all set for February 22nd, at Munkyking Melrose, 7308 Melrose Ave, Los Angeles. Over 900 people attend the last one in SoHo, NYC back in Oct. Each artist has hand made (or hand painted) a special object to be inserted into the hollow head of each […] [Read more]


Canada’s cartoon cabler Teletoon gets a bright and boisterous daytime rebrand from Toronto design and animation shop 4stroke and NY agency Brand New World. The package included idents, promo donut, movie open and hundreds of elements. Music by Pirate Radio. [Read more]


These were the bumpers shown before every movie at Sundance this year. The innovative work out of Seattle/Chicago/New York-based Digital Kitchen respectively translates Fire as a central tool in filmmaking, symbolizing the fervor and creativity necessary for the process. “Industry” shows how an idea is born in a factory-filled brain, while “Ignite” gives us a […] [Read more]


Here’s a nice counterpoint to the hype about Superbowl spots. It’s a :60 CG charmer for Rainey Kelly and their client Lloyds TSB via Studio AKA and director/designer Marc Craste. Its full of the quirky performances, snappy pacing and beautifully rendered scenes that made Craste’s National Lottery spot a highlight of 2006 and part of […] [Read more]

Ryan Bosworth SAYS “GOODBYE”

Director/animator Ryan Bosworth of the newly-hatched Fenix Collective just completed this 3 1/2 minute orgy of origami for the band Asobi Seksu and volunteers this snapshot of the production, "The "Goodbye" video was shot in two days here in Los Angeles. The first day we shot the band with a Canon XL1 on a white […] [Read more]

Traktor + Method do Pepsi “Pinball”

The topography of San Francisco seems to offer a great playground for some wonderful spots… There was Sony Bravia Balls, executed practically, a while back. Then, Travelers "Snowball" (visual effects by WETA). *recently nominated for a DGA award. and now Pepsi "Pinball" (visual effects by Method) has a fun soundtrack, cartoon-like animation and some classic […] [Read more]


New BMW 07 branding spot from directors Warren & Nick through Wanted Films and agency WCRS in London with edit courtesy of Christophe Williams at The Quarry and VFX by Glassworks and Asylum. An 80 camera Time Slice rig was used in several shots with lasers and conventional lighting combined with digital light fx for […] [Read more]