LOBO Announces Live-Action Division and Roster of Directors
May 9, 2024
“Should we create a new world or save our own?” That’s the question Greenpeace asks in this near-future sci-fi advert called “New Bees” directed by Polynoid and produced and animated at Woodblock in Berlin. From Greenpeace: “If we carry on with chemically intensive agriculture model, it is quite possible we may [Watch]
FITC Toronto launched its lucky 13th edition last weekend with this visceral title sequence directed by local talent Ron Gervais and David Greene (Iamstatic) working with the animation and VFX crew from Topix. [Watch]
Ten years ago Frankfurt animator Walter Volbers started a personal project called MITE, a one-shot 3.5-minute CG short. A few minutes ago he finally dropped the render-intensive finished film in our inbox (render times ranged up to 3.5 hours per frame). Toolkit: XSI/softimage (RIP), Arnold, Nuke, Mootzoid, Momentum.
Few people on the planet light up abstract 3D the way Zeitguised do. Like most, the Berlin studio pays the bills with gigs for consumer brands but also supplement their workflow with surreal and playful experiments. The results are most often a combination of wonder and delight, as seen here with “Birds” and recent work [Watch]
Even if you’re familiar with how traditional hand animation works, this behind the scenes feature put together by the good people at Th1ng in London is worth your time just to meet director/animator and three-time Oscar nominee Sylvain Chomet (The Triplets of Belleville, L’illusionniste, and The Old Lady and the Pigeons). [Watch]
Animator/director Russ Murphy re-teams with fellow Bristolian talent Patch Keys to push their signature, hand-crafted-frame-by-frame style into the mainstream with this treatment for the title track of Lily Allen’s Sheezus album wherein she invokes all her pop-diva rivals. [Watch]
Dvein continue their explorations outside the 3D playground teaming with fellow-Barcelonians Physalia for the first in a series of IDs for the new Converse ‘Colors’ campaign thru Blacklist for Anomaly, “Together we developed machines that bring color to the sneakers in a quite unorthodox way.” [Watch]
London’s FIELD studio wrings beauty and engagement from cold computer code to create what co-founders Marcus Wendt and Vera-Maria Glahn call “expressive and dynamic artworks for digital platforms” for galleries, festivals, public installations and mobile. Case in point: Energy Flow, a free non-linear film app for [Watch]
If you’re familiar with the song “Strange Fruit,” made indelible by Billie Holiday in 1939, you already know the theme of this tense and emotional animated short created by Shimi Asresay and Hili Noy as their graduation film from Bezalel Academy of Art and Design in Jerusalem.
“The story discusses the question of the personal conscience of each of us, versus the education we receive from our families and environment. Can we really insist on our personal belief system, when what we must believe in, is dictated to us? The film presents how easily we acquire fear and hatred of foreigners, as well as how easily we might become the ‘strangers’ and ‘others’ ourselves.” [Watch]
Dubai studio Infofillers combines an earthy pallet with old and new Middle Eastern motifs for the broadcast packaging of a local TV show called Al-Mukhtasar. Co-director Firas Ershead: “Since it’s a talk show, covering different topics, from culture to sports, tech, etc., the presenters are the heroes. So we developed [Watch]
Tavo Studio (Madrid) and Crowd Studio (Barcelona/London) open the three days of the ADC’s recent awards event in Miami with these lovingly rendered CG sur-realities where “three types of different materials metaphorically represent the transformation of raw material into something more polished, as do art [Watch]
You don’t have to be a Coke geek to appreciate this frenetic and vibrant work for the 4th Annual Malaysian Coca Cola Collector Fair by local design/animation/VFX house Glass Fin featuring bottles from 1899 to 2007: “We decided to give it a Malaysian theme which can be distinguished in its patterns. We have [Watch]
According to UNICEF, every day in India, “620 million Indians are defecating in the open. That’s half the population dumping over 65 million kilos of poo out there every day. If this poo continues to be let loose on us, there will be no escaping the stench of life threatening infections, diseases and epidemics.”
In response, UNICEF launched the www.poo2loo.com campaign with this insanely over-the-top, potty-mouthed animated music video by Studio Eeksaurus in Mumbai as the center piece. The absurdly catchy music was composed by Shrikanth Sriram (Shri) who composed the theme for “Life of Pi”. No word on animation credits yet. [Watch]
The MPC NY crew flex their character design, animation and slapstick narrative muscles with an Easter confection written and directed in-house by Bill Dorais and Ty Coyle. “Enjoy the Sweets” blends traditional stop-motion techniques and CG into 3,000 frames of sweet-toothy feel-goodness. Lead animator Grae Revell: [Watch]
