Ruffmercy, the UK animator/director (and Stash regular) best known for his music video work, lets loose with a magnum opus called “’88,” a gloriously chaotic 11-minute film made for The Barbican’s Jean-Michel Basquiat retrospective in London. [Read more]
A very fresh visual treatment for a motorsports broadcast promo here from Tokyo 3D masters Onesal for coverage of the World Rally Championship 2018 on the Japanese channel J Sports. [Read more]
Grab a look at the preview for STASH 134 , the brilliant new addition to The Stash Permanent Collection – the unrivalled online library of motion design for advertising, music videos, broadcast and title design, brand films, game cinematics, and short films. [Read more]
Taiwanese motion graphic designer and SCAD graduate student Celia Hsu contemplates the effects of environment on our emotions in her introspective yet dynamic animated short film “Perception.” [Read more]
Nate Sherman and Nick Vokey, the creative duo behind “Fired on Mars” (one of my favorite animated shorts of the decade) are back with another fabulous look at social norms/weirdness in the lowkey black comedy “Wet City.” [Read more]
Elastic creative directors Lisa Bolan and Nadia Tzuo opened Sony Pictures’ “Girl in the Spider’s Web” with inky, sinister CG to create “metaphor and abstract visual language to hint at the main character’s untold history.” [Read more]
Fourteen Montréal motion designers indulge their “desire to play together instead of just working together” with this kinetic and freeflowing celebration of the world of pinball. [Read more]
In their latest adventure merging in-house musical and visual delights, Kelly Meador and Daniel Elwing (aka Impactist) explore the existential aspects of pizza and its rightful place in the universe. [Read more]
Shanghai director/designer Somei Sun gathers nine artists to create dynamic and disparate logo treatments for VIVO’s powerful new gaming-centric iQOO mobile phone. [Read more]
