Nexus director Johnny Kelly lets Stash fans in on the challenges and process behind his new music-driven, puppet-filled brand films for Cheerios produced through 72andSunny. [Read more]
Blur founder Tim Miller (aka the director of Deadpool) and David Fincher, who both tried gallantly to make Eric Powell’s Goon comics into a feature film, have another adult animation treat dropping March 15th on Netflix. [Read more]
For the launch of Respawn Entertainment’s new free-to-play battle royale shooter Apex Legends, Mill+ directors Lisha Tan and David Lawson create a hybrid look they call “Moving Concept Art.” [Read more]
Four students at The Animation Workshop explore an “absurd existential crisis” and the problem of personal originality with an astounding mix of visual styles and animation techniques. [Read more]
Ridley Scott talks about his return to advertising after a 15-year hiatus to direct Hennessy’s four-minute brand film “The Seven Worlds,” produced thru agency DDB Paris with MPC handling the extensive VFX. [Read more]
Tokyo animation director Takashi Ohashi completely redefines the cute dancing cat video in this glitchy and geometric music promo for Japanese producer Daisuke Tanabe. [Read more]
In his first solo helming effort, WIZZ director/animator Gary Levesque (formerly of creative duo Flying V) aims for your Valentine’s day heartstrings in this animated :90 for flower delivery service Teleflora through Blacklist. [Read more]
Siblings Michel and Olivier Gondry co-direct an exuberant dance video for The Chemical Brothers’ “Got To Keep On,” with Olivier’s VFX work growing from peripheral glimpses into the main attraction. [Read more]
A humble street line painter takes traffic problems into his own hands in this film for Bird, the urban scooter unicorn, directed by BAT (Bali Engel and Matthieu Landour) and animated in 2D and 3D by Not To Scale. [Read more]
