Ten years ago Frankfurt animator Walter Volbers started a personal project called MITE, a one-shot 3.5-minute CG short. A few minutes ago he finally dropped the render-intensive finished film in our inbox (render times ranged up to 3.5 hours per frame). Toolkit: XSI/softimage (RIP), Arnold, Nuke, Mootzoid, Momentum.
Few people on the planet light up abstract 3D the way Zeitguised do. Like most, the Berlin studio pays the bills with gigs for consumer brands but also supplement their workflow with surreal and playful experiments. The results are most often a combination of wonder and delight, as seen here with “Birds” and recent work [Read more]
Even if you’re familiar with how traditional hand animation works, this behind the scenes feature put together by the good people at Th1ng in London is worth your time just to meet director/animator and three-time Oscar nominee Sylvain Chomet (The Triplets of Belleville, L’illusionniste, and The Old Lady and the Pigeons). [Read more]
Animator/director Russ Murphy re-teams with fellow Bristolian talent Patch Keys to push their signature, hand-crafted-frame-by-frame style into the mainstream with this treatment for the title track of Lily Allen’s Sheezus album wherein she invokes all her pop-diva rivals. [Read more]
Dvein continue their explorations outside the 3D playground teaming with fellow-Barcelonians Physalia for the first in a series of IDs for the new Converse ‘Colors’ campaign thru Blacklist for Anomaly, “Together we developed machines that bring color to the sneakers in a quite unorthodox way.” [Read more]
London’s FIELD studio wrings beauty and engagement from cold computer code to create what co-founders Marcus Wendt and Vera-Maria Glahn call “expressive and dynamic artworks for digital platforms” for galleries, festivals, public installations and mobile. Case in point: Energy Flow, a free non-linear film app for [Read more]
If you’re familiar with the song “Strange Fruit,” made indelible by Billie Holiday in 1939, you already know the theme of this tense and emotional animated short created by Shimi Asresay and Hili Noy as their graduation film from Bezalel Academy of Art and Design in Jerusalem.
“The story discusses the question of the personal conscience of each of us, versus the education we receive from our families and environment. Can we really insist on our personal belief system, when what we must believe in, is dictated to us? The film presents how easily we acquire fear and hatred of foreigners, as well as how easily we might become the ‘strangers’ and ‘others’ ourselves.” [Read more]