Blinkink Signs Mixed-Media Director Julita Conde
July 10, 2025
Samsung’s massive and cheeky campaign for the Galaxy rolls on with four minutes of wonderfully over-the-top sci-fi fun from Psyop/Smuggler director Laurent Ledru backed by sleek and wall to wall VFX from the Psyop crew. Because of the players’ schedules, they were each shot separately in London, [Watch]
Many Dr. Who fans (my son included) were underwhelmed by the latest BBC teaser (below) featuring only Peter Capaldi’s silhouette, but VFX artist John Smith was inspired to do something about it: He created this full trailer featuring the 12th doctor and Clara arriving in a dazzling new time and space:
“My aim was to capture the more ‘magical’ side of the show, rather than the dark-and-gritty approach I usually take. I used After Effects, Maya, Mudbox, and Premiere.”
London’s STK and in-house director/editor Chris Boyle deliver three fast and furious 3D cartoon takes for Nike’s “Risk Everything” World Cup campaign with VFX backup from Unit Post – all inside a tight four-week production sched.
Created with a combination of keyframe animation and dynamics by a small team at the Mill+, this inventive and pristinely rendered title sequence provided the centerpiece for the 2014 D&AD awards handed out earlier this week. Director Nils Kloth: “Every year the D&AD titles are a fantastic opportunity for us to [Watch]
California creative director Ash Thorp and Toronto filmmaker/musician Anthony Scott Burns stretch the opening titles for OFFF Barcelona 2014 out to a full 12 minutes of moody mystery complete with dark and riveting sound track by Pilotpriest (aka Anthony Scott Burns). Produced by Topix. [Watch]
New Zealand filmmaker/designer Joel Kefali (formerly 1/2 of the Special Problems studio with Campbell Hooper) is best known for his music videos for Lorde, Tune Yards, Flying Lotus, etc., but with “Baba” a brisk and graphic short based on the memories of his Turkish grandfather’s early days as a refugee in [Watch]
Gentleman Scholar art directors Jordan Lyle and JP Rooney hand-painted every image of this animated incarnation of Dora Malech’s poem “Working Order,” then combined them with 2D and 3D techniques. The resulting two-minute film, created over the course of several months, presents an unpredictable dream- [Watch]
Swedish design duo Sandberg & Timonen, fashion photog Kacper Kasprzyk and editor Martin Nilsson slice/mash/congeal Robyn and Röyksopp into a hypnotic, monochrome, glitch-ified techno-pop opus called “Sayit” that premiered on the H&M Life site. Production: Strange Cargo Film. [Watch]
British director and painter Daisy Jacob‘s unique combination of seven-foot-tall animated characters in life-size sets combined with stop motion lends a whimsical and disjointed flavor to “The Bigger Picture,” her stark and darkly humorous tale of two brothers struggling to care for their elderly mother. [Watch]
Stash is very pleased to present the online premiere of Parasol Island‘s new animated CG short “Pink Troubles,” a tightly choreographed, two-minute tour de force of sunny character chaos. Director Dino Figuera at Parasol Island in Düsseldorf: “This film started as a really small 10-second intro animation for [Watch]
Santa Transmedia in São Paulo join the growing football media frenzy with this series of vivid IDs for MTV/Viacom Brazil, a crazed blend of roto, cel animation and motion graphics, “We chose to embrace reality and created, wrote and produced films about a World Cup that happens not only on TV or in stadiums, [Watch]
Stash 105 showcases the planet’s top design, animation and VFX studios plus breakout young motion talent, adding another 31 outstanding video projects to the permanent collection. Carefully curated since 2004, the Stash library now features over 4,000 exceptional films and behind the scenes features, with [Watch]
Narrated by two survivors of sex trafficking, “A Dangerous Journey” by London’s Animage Films warns young African women of the dangers of being tricked into prostitution by animating the women’s tragic stories and describing the various techniques of coercion used by traffickers.
The film (funded in part by Comic Relief) won the Gold World Medal at the 2013 New York Festivals and the 2013 Human Trafficking Foundation Media Award. [Watch]
Peek behind the scenes with the Vetor Zero/Lobo crew in São Paulo’s as they craft the tiniest of details in the stop-motion tail credit sequence for “Brincante,” a docudrama exploring the life and work of Brazilian musician, performer and folk culture researcher Antonio Nóbrega. [Watch]
