Bombarded by so much media, we’ve all become super-confident hyper-editors – instantly sorting the stream of images into hot or not, do or delete, fraud or fake. So it’s startling to find your brain caught in a loop, cycling between belief and denial. [Watch]
Shake up your Friday with this two-minute blast of hyperactive and hallucinatory stop-motion from Blinkink director Nicos Livesey and a micro-crew of three animators for US garage-punk outfit Radkey. Produced thru Channel 4’s Random Acts art initiative. [Watch]
Powered by Anna Pickard and CD Jay Grandin’s near-poetic script, Giant Ant‘s new motion work for Slack’s collaboration platform uses candy-colored abstraction to breathe much needed life into the crowded explainer video genre. [Watch]
Here’s your chance to hit up FITC’s 2-Day FORM design event at the Chicago History Museum on Nov 2-3 for Free. Stash is giving away a pair of tix to the person who spins us the best of tale of why they absolutely positively must be there.
Just email your story of wonton creative longing to customerservice@stashmedia.tv and get ready to explore the art and act of creation with Stefan Sagmeister, GMUNK, Rama Allen, Erin Sarofsky, Mischa Rozema and 20 more brilliant presenters.
Or, you can save $100 on your admission by entering code “stashmedia” at check out to when you buy your ticket.
A heart-wrenching narrative becomes exponentially more emotional when the hero is a child. Witness “Pete’s Story,” a new chapter in the powerful body of ad work commissioned by UK children’s charity NSPCC. [Watch]
The spankin’ new Blend festival launched late last week in Vancouver with this hyper-active happy meal of clever wordplay and characters created by Gareth O’Brien and crew at Buck‘s new Sydney studio with nicely-caffeinated music and sound design from Antfood. [Watch]
Even if you’re a diehard pacifist, this promo from Mothership director Neil Huxley for the UFC world bantamweight championship btw Ronda Rousey and challenger Holly Holm will grab you by the heart and learn you a thing or two about backstory. [Watch]
Brilliant concept and exacting execution from director Carl Addy and the Mill+ crew in response to an open brief from the British Film Institute to create a fund-raising film for its mission to preserve and restore the national film archive. [Watch]
Rendered in visceral, expressionistic oil pastels and backed by layered audio fragments, Marcus Armitage‘s BAFTA nominated graduation film “My Dad,” looks, feels and sounds like an edgy and experimental NFB short from the 70’s. That’s a good thing. [Watch]
Creating hundreds of visual “boob” metaphors looks like a fun project but Totuma CD Hubert Reinfeld says creating this breast cancer awareness campaign for Lifetime Latin America was among the most difficult he and his crew have ever attempted. [Watch]
Indulge your fetish for 70’s design with this five-minute, low-key feast of tightly kerned Helvetica, Swiss-flavored graphics and Op art – courtesy of German designer/animator Henning Max Lederer. [Watch]
Madison, Wisconsin doesn’t leap to mind as a hotbed of animation or road rage but local director/animator Nate Theis transcends such petty limitations for his first indie film “Driving,” channeling the style of mid-20th century studios like UPA and the intense fury of big city commuters. [Watch]
Wonderful mix of styles and techniques add up to a whole lot of quirky charm in this self-referential short film from director/animator Jon Boutin, currently in his third year at the EMCA in Angoulême, France. [Watch]
Nexus wunderkind director Johnny Kelly talks to Stash about pulling together 100+ artists, designers, craftspeople, architects, engineers, scientists and musicians; assigning them each a scene, then merging it all into a hypnotic brand film for Dropbox. [Watch]