Not To Scale Signs NERDO for Representation
May 7, 2026
Director/animator Alex Semenov, whose Simpson’s Couch Gag is simply the darkest ever, just dropped us his latest black comedy – a sci-fi take-down of scrolling culture starring the voice of Thomas Middleditch (Silicon Valley). [Watch]
In their new film for Italian lighting brand Lodes, co-founder/CD Jonathan Formento and his CG motion crew (whose work we track here), take a hyper-minimalist approach to keep attention tightly focused on the product. [Watch]
Working thru Denver agency Sukle, Passion Pictures director Anna Mantzaris applies her talents for warm and fuzzy stop-motion to the heavy lift of getting youngsters away from their screens and into the great outdoors. [Watch]
Finnish post house 255 Pix makes their Stash debut in spectacular fashion with this rampaging horde of BBQs conjured from 3D VFX and AI for the discount supermarket Lidl and directed by Pete Riski at Directors Guild Helsinki. [Watch]
After a stellar festival run (a big win at Annecy and an Oscar nom), animator Yegane Moghaddam’s highly inventive mixed media short Our Uniform, based on her school days in Iran, is now available for your viewing pleasure. [Watch]
CalArts animation seniors Sofia Kondrasheva and Veda Lee co-direct a small army of their fellow students on this rousing, character-packed trip through art history for the school’s 2026 Producers’ Show Opening. [Watch]
Playful abstract animation may not be what comes to mind to open an investigative journalism program, but Riga-based director/illustrators Eduards Balodis and Roberts Rurans do exactly that for Latvian Television (LTV). [Watch]
Stockholm-based art director/motion artist Andreas Wannerstedt, whose mesmerizing CG short films we’ve featured here, returns with a new, playful, and meditative take on magic realism he calls Soft Logic. [Watch]
In direct contrast to the snappy elegance of their recent film for Sonos, the crew at LA 3D motion house Frame48 conjures two elemental torture tests to showcase the impact protection of Lazer’s cycling helmets. [Watch]
New Copenhagen motion studio Ribbit just dropped us their launch project, a fresh and friendly brand film for Birdie, the Danish-designed indoor air quality monitor that uses a canary-in-a-coal-mine metaphor to visualize CO2 levels. [Watch]
If a brand film for your own studio should be fun to work on, co-founders/directors Uri Lotan and Kobi Vogman at Studio Bump in Tel Aviv certainly met the mark in this jaunty mock stop-motion piece called Under Construction. [Watch]
Studio longevity in the motion design world is all too rare, so it’s a pleasure to see yU+co, founded in LA by Garson Yu in 1998, still operating at the top of their game with these titles for the Netflix action-thriller series Man on Fire. [Watch]
Toronto Motion Meetup (aka TOMO) is a community for design, animation, motion graphics and VFX. What started as a casual meetup out of a need to build connections is now a strong community of creatives in the city. [Watch]
![Two people stand in front of a large "WE [heart] PITCHING" sculpture in a lively city plaza. This scene, featured in We Love Pitching Part 1, captures the creative buzz highlighted by Stash Media’s guest editorial. Frame from Stash Magazine article.](https://www.stashmedia.tv/wp-content/uploads/We-Love-Pitching-Part-1-Guest-editorial-by-Claus-Cibilis-_-STASH-MAGAZINE-640x360.jpg)
In this first installment of the We Love Pitching series on Stash, Nerdo ECD Claus Cibils introduces the many systemic problems affecting the competitive commissioning infrastructure of the design and motion industry. [Watch]
