A cartoon child stands on a tall ramp with a skateboard, while another child with open arms stands below, appearing to encourage or support them in a suburban neighborhood—reminiscent of the playful spirit found in The Close animated short film by Ant Blades & Birdbox Studio for BBC. Frame from Stash Magazine article.

Ant Blades & Birdbox Studio Venture into “The Close”

Very few animated short films actually make you laugh out loud, but this new film from UK character comedy master Ant Blades and Birdbox Studio in London, does it so often the 10-minute running time just seems to fly by. [Watch]

A large robot in fiery debris with lightning and sparks surrounds the word OUTLAW in bold, glowing text across the center of the image, capturing the intense energy of OUTLAW CG Short Film by JIT & Calars. Frame from Stash Magazine article.

Cyber-Girl vs Robot: JIT & Calars Drop OUTLAW Short Film

Inspired by their shared love of cyberpunk, Seoul CG artists JIT and Calars team up for an ambitious, render-heavy (and AI-free) blast of atmospheric sci-fi action with audio courtesy of Echoic. [Watch]

A man and woman stand heroically atop office debris, holding a red flag that reads WE ♥ PITCH IN amid burning wreckage—a scene from We Love Pitching Part 7 by Claus Cibilis on Stash. Frame from Stash Magazine article.

We Love Pitching: Chronicles of a Necessary Mess – Part 9

Nerdo ECD Claus Cibils just dropped the latest in his series of Stash editorials on the competitive pitching process, a detailed look into the importance of clarity and consistency in the project brief. [Watch]

Close-up of a section of a US one-dollar bill, showing the detailed engraving of the number 1 and ornate leaf designs in black and white—an intricate symbol often referenced by McAlvany in discussions on US Dollar strength and wealth management. Frame from Stash Magazine article.

Roman White & Emberscope Tastefully Erase the US Dollar

Working through Tennessee animation studio Emberscope Studios and agency Fire Kite, veteran director/animator Roman White carefully defaces a US dollar bill to lure clients to a wealth management webinar. [Watch]

Collage of modern design: woven cushion, knotted plush chair, stacked ceramic plates, and minimalist interior with a chair, art, and orange vase on a wooden console—an aesthetic reminiscent of the MADE-Design-at-Play-brand-film-by-Miles-Hellyer-Chalk-Company-STASH-MAGAZINE72-1536x864. Frame from Stash Magazine article.

Miles Hellyer & Chalk Company Keep Design at Play for MADE

Following on their recent abstracted work for producer/DJ Air Max ’97, director Miles Hellyer and the Chalk Company in Sydney, pivot their CG skills to the very real products of UK-based furniture brand MADE. [Watch]

A figure in a trench coat, wide-brim hat, and mask with goggles stands in shadow, their silhouette cast on a newspaper-covered wall in the background—a scene reminiscent of the atmospheric Spider-Noir TV series opening titles by Digital Kitchen. Frame from Stash Magazine article.

Psychological Unraveling: Digital Kitchen Opens Spider-Noir

Recently nominated for an Outstanding Title Design Emmy, Digital Kitchen’s open for the new Spider-Noir series layers influences from the French New Wave, surrealism, and film noir into a shattered world of light and shadow. [Watch]

A lone warrior with a large sword faces a towering, shadowy figure with glowing eyes and a spiked crown inside a crumbling, dark fortress filled with mist and eerie light—an atmosphere reminiscent of the haunting visuals from the League of Legends Viego Revenant Reign Trailer by Richard Payne & Brunch Studio. Frame from Stash Magazine article.

Richard Payne & Brunch Studio Drop “Viego: Revenant Reign” Trailer for Riot Games

Working with the animation team at Brunch Studio in Paris, director Richard Payne conjures a carefully composed gothic tale of loss, betrayal, and vengeance to launch the League of Legends Revenant Reign Viego skin. [Watch]

Three stacks of white, square microchips with glowing symbols sit on a circuit board with green lit pathways, representing digital connections and technology integration—a visual style reminiscent of the CuspAI Brand Film by Wes Cockx. Frame from Stash Magazine article.

His Intelligent Materials: CuspAI Brand Film by Wes Cockx

CG motion master Wes Cockx serves up a smooth and concise helping of his surgically rendered 3D style in this brand film for British startup CuspAI and the launch of their global AI Materials Foundry. [Watch]

A grid of four vibrant, surreal digital artworks featuring cosmic scenes, abstract shapes, futuristic characters, and glowing neon colors in imaginative, sci-fi-inspired environments—each piece radiates the energy of Never Sit Still and captures the visionary spirit championed by The Design Conference. Frame from Stash Magazine article.

Never Sit Still Opens The Design Conference With “Wonder, Divinity, and Chaos”

The Design Conference opened earlier this month in Brisbane, Australia, with these maximalist, over-the-top titles from the crew at Never Sit Still in Sydney that they describe as “a balance of wonder, divinity, and chaos”. [Watch]

Four scenes unfold: a person climbs into a white blob in an inventive space; a large wooden bowl sits center stage in a tranquil room; at a desk, someone meticulously assembles model cars—a nod to the Honda Your Dreams Engineered commercial by Ryun Chun and Black Kite Studios; finally, a woman gazes thoughtfully at floating objects near detailed technical drawings. Frame from Stash Magazine article.

Black Kite Shapes “Your Dreams Engineered” for Honda

The VFX/post team at Black Kite Studios in London build out a magical and riveting, blob-filled world with Magna director Ryan Chun in the latest in Honda’s long-running and multi-award winning Power of Dreams campaign. [Watch]

A man in a suit stands in a room with classical decor, with bright, animated lightning bolts—evoking Alessandro Bavari’s surreal style—crackling around him. A wooden chair sits empty in the background as solid light from space illuminates the striking, black and white scene. Frame from Stash Magazine article.

Alessandro Bavari Electrifies With “Solid Light From Space”

While many in the creative world hedge or hide their use of generative AI, Italian director/composer Alessandro Bavari runs full-speed in the other direction, embracing the media’s warts as well as it’s wonders. [Watch]

Bold orange and white text reads BLN 27-28.08.2026, featuring FF26_Forward_Festival_Berlin_. Black boxes list festival highlights: 3 stages, 50+ speakers, workshops, side events, and Forward Festival in large white text. Frame from Stash Magazine article.

Forward Festival Invades Berlin: August 27-28, 2026

The 2026 edition of Forward Festival Berlin is where creative minds come together to exchange ideas, gain fresh perspectives, and push the boundaries of their work. Save on your tickets with discount code FORWARDFESTIVAL. [Watch]

Four-panel image: Formula 1 cars racing, a car crash, multiple cars competing, and a scoreboard displaying Grand Prix race results—all rendered in Cub Studio’s vibrant, stylized animation style—create an engaging visual guide to the excitement of Formula 1 racing. Frame from Stash Magazine article.

Cub Studio Drops High-Octane Guide to Formula 1

Working direct with Formula 1, director Frazer Davidson and Cub Studio expand on their portfolio of smart and snappy animated sports explainers with this thorough primer on the planet’s premier motorsport. [Watch]

A man and woman stand heroically atop office debris, holding a red flag that reads WE ♥ PITCH IN amid burning wreckage—a scene from We Love Pitching Part 7 by Claus Cibilis on Stash. Frame from Stash Magazine article.

We Love Pitching: Chronicles of a Necessary Mess – Part 8

In this latest of his Stash editorial series We Love Pitching, Nerdo ECD Claus Cibils continues his deep dive into the competitive creative process and how making the shortlist does not always feel like a victory. [Watch]