Golden Wolf Signs with Free Agents for US Representation
July 22, 2024
As the design world drowns in demo reels (invariably a string clips cut to music), what can a studio do to punch out of the noise and deliver a clearer picture of who they are? The company manifesto is a good start. Witness this snappy 90-sec romp created by We Are Royale and timed for the launch of their new site [Watch]
Trip backstage with GMUNK and crew for Mr. Munkowitz’ ambitious chapter of The Connected Series sponsored by Samsung; an exploration of the power of technology to re-pattern the way we see ourselves, allowing us to relive the past and embellish the present. [Watch]
Meet Steve Frykholm who joined Herman Miller in 1970 as their first in-house graphic designer. Charming, unassuming and humble, I find the story of his eccentric company picnic posters, their induction into the Museum of Modern Art and recent reprinting, a refreshing tonic to today’s hard charging design environment. [Watch]
Fred Astaire’s groundbreaking rotating set dance number from the 1951 MGM musical comedy Royal Wedding gets a DIY update in this video for “Julia” by Toronto’s Fast Romantics with frontman and director Matthew Angus handing the VFX. [Watch]
Troublemakers director Icecream (aka art director/motion designer Nicolas Dufoure) delivers a dark and brooding version of T. S. Eliot’s “The Wasteland” for the second of three films launching The Josephine Hart Poetry Foundation’s Poetry Movement program. Sound design and music by CypherAudio. [Watch]
Montreal graphic designer Nicolas Ménard moved to London in 2012 to complete an MA in animation at the Royal College of Art where he created this darkly comic animated mini-masterwork called “Loop Ring Chop Drink 2014” which just completed a successful festival run. [Watch]
As full-on fans of CG sneaker porn, it is our sworn duty to bring you this high-octane macro adventure into the secret workings of the Nike Air Zoom Elite 8 as imagined by director Ryan Dunn and the CHRLX crew. Originally commissioned for in-store, Nike loved the spot enough to bump it up to run on air. [Watch]
Take a surreal and completely mad mixed media/2D trip into the animation process with Filmakademie Baden-Württemberg student directors Alireza Hashempour and Malaeke Farhangadib in their ID for the 2015 Stuttgart Festival of Animated Film. [Watch]
Vancouver VFX house The Embassy reveal their extensive and detailed efforts behind this ambitious web film for Playmation, Disney’s new line of wearable tech toys and connected apps featuring Marvel’s Avengers and Star Wars. [Watch]
Yawen Zheng, an animation student from the USC School of Cinematic Arts, just sent us her first year film called “Every Star,” a sweet solo project about “A mysterious boy from nature who collects stars and sends them to every city child who is unable to see the stars through the foggy sky.” [Watch]
The Dvein directing crew teams with fellow Barcelonians and CG/VFX specialists Trizz, plus Madrid VFX shop Lanczos to explore the dangers of drinking extraterrestrial psychotropic fluids in this new music video for “Ghosts” from Brooklyn band Alagoas. [Watch]
London animation prodco Golden Wolf plays fast and loose with the planet’s favorite spider-bite victim and amorphous extraterrestrial parasite (aka Venom) in this frenetic blast for “Ultimate Spiderman” running on Disney XD. [Watch]
Youth Experimental Studio, a multidisciplinary graphic design firm based in Lima, Peru, roto’s up a fluid and sunny treatment for “Hickory” (Featuring Talib Kweli and Boots Riley) by San Francisco musician/author/artist Kool A.D. [Watch]
Turns out HBO’s critically acclaimed and relentlessly gritty True Detective series is an anthology. So if the cast, location and narrative arcs all change each season, how do you handle the titles – especially if you won the Outstanding Main Title Design Emmy for the first season? [Watch]
