Call of Duty Infinite Warfare | STASH MAGAZINE

Big Action and Infinite Warfare in Call of Duty Scenes

Massive and intricate feature-level CG work from Paris powerhouse Unit Image in these three game cinematics from Call of Duty: Infinite Warfare developed by Infinity Ward and published by Activision. [Watch]

GLITTER SHORT FILM | STASH MAGAZINE

“Stop making the same shi# over and over again”

New Buenos Aires studio Buda says they created this jovial looping anatomical metaphor called “Glitter” in the hope that creatives everywhere might “stop making the same shit over and over again.” [Watch]

Fendi Hypnoshine | STASH MAGAZINE

Ditroit Polishes Hypnoshine for Fendi

It’s no secret Stash editors are big fans of pristinely rendered abstract 3D motion projects like say… this quick burst of whimsical geometry assembled by Milan/London studio Ditroit for Fendi’s Hypnoshine eyewear. [Watch]

Monster.com Opportunity Knocks | STASH MAGAZINE

Monster on a Mission: “Opportunity Roars”

Jerk bosses meet your nemesis, the towering purple-haired monster created by MJZ director Matthijs van Heijningen and The Mill’s New York VFX crew thru agency KBS for Monster.com. [Watch]

Cub studio_Love @ First Swipe | STASH MAGAZINE

True Story of Fraser Davidson’s “Love @ First Swipe”

Fraser Davidson, co-founder at Cub Studio in London, shares the impossibly charming/sweet/romantic story of meeting, wooing, and sharing life with his diminutive, hungry, and holiday-obsessed wife Vicky. [Watch]

Polish History The Unconquered | STASH MAGAZINE

Poland Remembers “The Unconquered”

Commissioned by the Polish Institute of National Remembrance, “The Unconquered” tells the heroic and little-known story of Poland’s 50-year struggle for independence after invasions by the Nazis and Soviet Russia in 1939. [Watch]

Foo Fighters Concrete and Gold | STASH MAGAZINE

Dave Grohl Reveals the Story Behind “Concrete and Gold”

The twisted tale of how the new Foo Fighters album “Concrete and Gold” came to be – as told by Dave Grohl and enhanced by the animation talents at Visual Creatures in LA. [Watch]

Blink_Dear BIG | STASH MAGAZINE

Alex Grigg and Steve Stout Bring “Dear B.I.G” to Life

Blinkink director Alex Grigg wraps the heartfelt words of Interscope executive Steve Stout in a stark and restrained power in this promo for the Biography Channel documentary ‘Biggie: The Life of Notorious B.I.G’. [Watch]

three colors fail short film | STASH MAGAZINE

Andrei Staruiala “Three Colours Fail”

New animated treat from Edinburgh’s very own Romanian-born director/designer Andrei Staruiala who brought us the various charms of “Scottish Sayings” earlier this year. [Watch]

Emmanuel LubezkiAbsolute One night | STASH MAGAZINE

Emmanuel Lubezki and Framestore Celebrate Creativity

Emmanuel Lubezki, the only cinematographer to win three consecutive Oscars (Gravity 2013, Birdman 2014, The Revenant 2015) directs a visual stunner for Absolut with Framestore handling post and VFX. [Watch]

Future of Story telling David Droga | STASH AMAGZINE

David Droga & Dress Code for the Future of StoryTelling

David Droga, creative influencer and founder of agency Droga5 suggests, “We really have to think about why the consumer would give a shit about what we do” in this promo for FoST 2017 by Dress Code. [Watch]

Luc Besson and Mikros Image Bring ATMs to Valerian

A BNP Paribas ATM handles requests from a trio of characters borrowed from the Valerian universe in these spots directed by Luc Besson himself with wonderful animation work by Mikros Image in Paris. [Watch]

Greenpeace Magazine Lets Fuck it up | STASH MAGAZINE

Greenpeace Magazine “Let’s F#ck it Up”

Deli Collective and Greenpeace Magazine use dark musical comedy to motivate their fellow Germans to vote for environmental change during the country’s federal election on September 24, 2017. [Watch]

Svetlana Alexievich Voices of Chenobyl | STASH MAGAZINE

Niels Prayer: “Voices of Chernobyl” Titles

French motion designer Niels Prayer honors Nobel laureate Svetlana Alexievitch with an understated but powerful spec title sequence for Pol Cruchten’s 2016 documentary based on her book Voices of Chernobyl. [Watch]