Berlin design and music studio COLORS AND THE KIDS’ recent research project called “Shroooms” explores the power of artificial growth algorithms to create a beguiling world of alien 3D.
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Starting with their beautiful brand film for the University of Melbourne in the fall of 2017, Tokyo studio Onesal has quickly made a name for themselves in the competitive high-end of artful CG abstraction. [Read more]
Written, directed, animated, and produced by Anomaly and Unreasonable Studios in London, “O Human Being” tells the tragic tale of Peter, an unlucky human voiced by Richard E. Grant, as the full extent of his Christmas nightmare unfolds. [Read more]
Poker night at the North Pole takes an unexpected turn for Santa in this jolly dark comedy from Passion Animation directing collective MegaComputeur. [Read more]
Director Leigh Whannell’s new sci-fi feature “Upgrade” opens with the first title sequence since François Truffaut’s “Farenheit 451” (1966) to replace all text with VO. The result is both engaging and unsettling. [Read more]
“Metro Exodus,” the third installment in 4A Games’ Metro video game series will release in February 2019 and open with this chilling title sequence sculpted by CD Andy Hall and the Elastic crew. [Read more]
To celebrate their 10th anniversary, Australian animation studio Dirty Puppet conjure a delightful collaboration of staff and friends built on “10 steps, ingredients, and habits that go into baking a cake.” [Read more]
Snappy, vibrant, and insightful explainer for YORA, a new sustainable pet food company based in the UK, by London director/animator Yukai Du via Bliink and Junction Studio. [Read more]
The first of three loose and lovely animated interludes by Matt Smithson of Igor + Valentine (aka Matt Smithson and David Stanfield) from Adam Kahan’s feature doc on jazz giant Buster Williams. [Read more]
