Ruffmercy, the UK animator/director (and Stash regular) best known for his music video work, lets loose with a magnum opus called “’88,” a gloriously chaotic 11-minute film made for The Barbican’s Jean-Michel Basquiat retrospective in London. [Read more]
Director/animator Eoin Duffy’s minimalist animation stands in stark contrast to English actor Jack Cutmore-Scott’s fraught reading of William Butler Yeats’ “The Second Coming” in this film commissioned by TED Ed. [Read more]
The MPC VFX crew conjure an array of evil and existential threats to BMW’s new luxury X7 SAV in this 75-second blockbuster directed by MJZ’s Dante Ariola and inspired by kid’s adventure stories. [Read more]
Nexus director Johnny Kelly lets Stash fans in on the challenges and process behind his new music-driven, puppet-filled brand films for Cheerios produced through 72andSunny. [Read more]
Blur founder Tim Miller (aka the director of Deadpool) and David Fincher, who both tried gallantly to make Eric Powell’s Goon comics into a feature film, have another adult animation treat dropping March 15th on Netflix. [Read more]
For the launch of Respawn Entertainment’s new free-to-play battle royale shooter Apex Legends, Mill+ directors Lisha Tan and David Lawson create a hybrid look they call “Moving Concept Art.” [Read more]
Four students at The Animation Workshop explore an “absurd existential crisis” and the problem of personal originality with an astounding mix of visual styles and animation techniques. [Read more]
Ridley Scott talks about his return to advertising after a 15-year hiatus to direct Hennessy’s four-minute brand film “The Seven Worlds,” produced thru agency DDB Paris with MPC handling the extensive VFX. [Read more]
Tokyo animation director Takashi Ohashi completely redefines the cute dancing cat video in this glitchy and geometric music promo for Japanese producer Daisuke Tanabe. [Read more]
