Director/animator Elyse Kelly’s latest visual story for The Atlantic wraps the issue of how social media companies handle censorship and free speech in a wonderfully fluid and allegorical style. [Read more]
Combining forces for a prequel to the 2017 historical epic “The Unconquered,” Polish studios Tengent and Juice employ a dramatic game-cinematic aesthetic to recount a rousing chapter in their country’s evolution. [Read more]
VFX specialists Image Engine take time out from their slate of feature film and TV series work to craft this full-CG promo for a 100% plant-based shoe made by their fellow Vancouverites at Native Shoes. [Read more]
One of the most elegant and ambitious CG product films you’ll see this year, “Airbourne” is the centerpiece in an integrated campaign for Uber Air (the company’s proposed aerial ride-sharing service) from Bipolar Studio in Los Angeles. [Read more]
While working on sketches for an upcoming sculpture exhibition, London director and visual artist Fabrice Le Nézet imagined the metal constructions coming to life and decided to make a short CG film exploring the idea of “function without functionality.” [Read more]
Lenivko Kvadratjić (aka Lazy Square) built a cult following with his neo-dystopian animated shorts about Russian life but his latest, an art-film interpretation of The Simpsons’ opening, should find him a wider audience (and under increased surveillance). [Read more]
Drawing inspiration from his love of Japanese animation, manga, and the Isle of Dogs, London 3D designer and animator Jonathan Lindgren creates a fun and stylized seven-step guide to making sushi. [Read more]
The Yeti crew in Athens took a break from the flow of commercial projects to work out some whimsical summer-flavored motion ideas in a vibrant in-house film they call “Fruitless.” [Read more]
London 3D visual artist and animator Toby Auberg (aka Toberg) takes us deep into a mock nature documentary he describes as “an impossible microcosm generated out of simulated nature completely departed from reality.” [Read more]
