Berlin design and music studio COLORS AND THE KIDS’ recent research project called “Shroooms” explores the power of artificial growth algorithms to create a beguiling world of alien 3D.
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Rising UK animation and illustration duo Uncle Ginger (aka Hugh Cowling and Owen Gent) bring a gentle, hand-drawn minimalism to this music video for “The Last Day” by British singer-songwriter Luke Sital-Singh. [Read more]
The UNHIDE digital design conference opened this week in São Paulo, Brazil with these spectacular panoramic titles entitled “The Dream of Ink” by director Rafael Vallaperde and Lightfarm Studios in Rio de Janeiro. [Read more]
The latest film in the insightful and beautifully rendered New York Times’ Conception series arrives via the considerable illustration and animation talents of director Lara Lee in London. [Read more]
After a year of accolades on the festival circuit, young Swiss illustrator/animator Kilian Vilim’s stark and macabre (yet somehow charming) graduation film “OOZE” is now available for your viewing enjoyment. [Read more]
Writer/director Fausto Montanari and the crew at Lobster Studio in Sofia, Bulgaria, share a few animated thoughts on the subjectivity of weirdness and how we should rethink it as diversity instead. [Read more]
In 2017, Ben Collier-Marsh (CD at WeCanMake in London) dropped the richly layered “Wide Open Sky” video for his friend and Brooklyn musician Sami Fitz. Their newest collaboration is called “Dead Birds,” and the results are just as intriguing. [Read more]
Barcelona director/animator David Pocull: “‘Dads’ is an autobiographical short film filled with personal experiences with my two sons, it’s a fatherhood celebration. [Read more]
Elastic director Duncan Elms’ latest main title sequence sets a macabre and enigmatic tone for season two of Amazon’s critically acclaimed anthology series “Lore.” [Read more]
