Ruffmercy, the UK animator/director (and Stash regular) best known for his music video work, lets loose with a magnum opus called “’88,” a gloriously chaotic 11-minute film made for The Barbican’s Jean-Michel Basquiat retrospective in London. [Read more]
Manila design studio The Acid House take a break from their commercial work to explore creative connections in this striking Motion Response for Pause Fest 2019 on the theme “The Future is Intimate.” [Read more]
London/Bristol VFX studio nineteentwenty creates a veggie-pocalypse for an ITV and Veg Power charity initiative urging UK kids to eat more plants – directed by Pulse Films’ Ninian Doff thru agency adam&eveddb. [Read more]
Inspired by Murray Lachlan Young’s poem about a young boy with formidable flatulence, London director/animator Ben Collier-Marsh brings the story to life in this smile-filled animated short. [Read more]
Directors Kylie Matulick, Trevor Conrad, Todd Mueller, and the Psyop crew re-team with Copenhagen studio Sun Creature for a fluid and feel-good ode to inclusion and togetherness for Coke. [Read more]
The stream of outstanding motion projects associated with Australian creative/business conference Pause Fest continues with this ominous and thoughtful 3D piece by Loop in Moscow. [Read more]
The eccentric geometric style of New York illustrator/animator Joel Plosz elevates a story by John Scalzi into a mini-classic short film and the latest addition to The Verge’s ongoing Better Worlds science fiction project. [Read more]
Santi Zoraidez, an art director and designer from Buenos Aires now based in Berlin, brings a crisp and whimsical touch to this brand video for a retail shelving system called Qubo from Vitra’s shopfitting partner brand Visplay. [Read more]
Banish the mid-winter blahs with a shot of pure inspiration: Stash 133 delivers another 31 outstanding design, animation, and VFX projects plus behind-the-scenes features and exclusive interviews. [Read more]
