Director/animator Elyse Kelly’s latest visual story for The Atlantic wraps the issue of how social media companies handle censorship and free speech in a wonderfully fluid and allegorical style. [Read more]
The Indian tech hub of Hyderabad promos their city-wide festival of design with an upbeat and kinetic clip produced by Post Office Studios and showcasing a multitude of motion styles and techniques. [Read more]
South Korean animator/illustrator Seoro Oh burst onto the Stash radar in 2017 with his short film “Afternoon Class.” Later that year he promised more hilarity in the trailer for “(OO).” And now, happily, that promise is fulfilled. [Read more]
Los Angeles post house Scissor Films provides plenty of surreal VFX enhancement for Jonah Hill’s post-party-apocalypse treatment of “Wake Up,” the latest single from Travis Scott’s third album Astroworld. [Read more]
If you’ve ever wondered how ordinary Japanese citizens deal with the constant barrage of Tokusatsu monsters battling it out in their cities, Six Gobelins students finally reveal the answer in “Tokyo Apocalypse”. [Read more]
In his titles for the new Netflix doc “The Great Hack,” director/designer Ash Thorp asks “How do you show data being bought, sold, and weaponized in an artful and meaningful way? [Read more]
Working with a tiny budget and super-tight two-week deadline, Swiss studio YK Animation grabbed some friends and dove face-first into this short film commissioned for the 50th anniversary of the Apollo moon landing. [Read more]
Cool up your summer with a two-minute peek at the stellar motion design, animation, and VFX included in STASH 136 – the latest (and possibly coolest) issue of the Stash Permanent Collection. [Read more]
Back in 2010 (in Stash 73), we proudly featured Charles De Meyer’s groundbreaking video for Amon Tobin’s “Esther’s”. Happily, the pair recently re-teamed for another atmospheric VFX opus called “Vipers Follow You.” [Read more]
