Moscow CG artist Sergey Maslov melds his childhood passions for film, astrophysics, and classical art with visual inspiration from Magritte, Escher, Rembrandt, Lynch, and Kubrick into an expansive three-act hallucination. [Read more]
After six years in the biz, Barcelona animation/illustration prodco Drasik Studio just dropped their first personal project, a visceral and manic frame-by-frame 2D experiment called “Bend Reality”. [Read more]
Wagamama, the UK-based restaurant chain serving pan-Asian food based on Japanese cuisine, takes their first leap into animated ads with this enchanting and carefully crafted spot directed by Mads Broni at Passion Animation thru MullenLowe. [Read more]
Turns out one in four disabled people in the UK say negative attitudes from other passengers prevent them from using public transport so agency VMLY&R brought in Nexus directors Smith & Foulkes to help change a few minds. [Read more]
The venerable State Tretyakov Gallery in Moscow sets its sights on attracting children and teens with this vibrant and mischievous promo by hometown studio Petrick for an exhibition on the history of Russian fairy tales. [Read more]
In 2018, Wieden+Kennedy London and Academy director Ian Pons Jewell convinced the world “Phones Are Good” and now they’ve dialed up the tongue-in-cheek quotient for Three’s 5G service with layers of unrelenting VFX from The Mill crew. [Read more]
The all-London team of agency Superunion and motion studio Found combine dance, pyrotechnics, and motion capture into a spectacular campaign for the London Symphony Orchestra’s 2020/21 season. [Read more]
Inspired by the fantastical work of Shanghai artist Jie Ma, Korean motion designer Yonghoon Jeong (aka Samhwagoon) creates a series of striking dream-state vignettes in this personal film he calls Retrospection. [Read more]
This latest collaboration between filmmaker Kevin McGloughlin and musician/DJ Max Cooper is a hypnotic and handmade music video from ‘Yearning for the Infinite’, Cooper’s “audio/visual rendering of our obsession with the unobtainable.” [Read more]
