Director/animator Elyse Kelly’s latest visual story for The Atlantic wraps the issue of how social media companies handle censorship and free speech in a wonderfully fluid and allegorical style. [Read more]
The CG creature crew at Framestore reteam with Rattling Stick director Daniel Kleinman and Arnold Worldwide to create the sophomore adventure for Santander’s porcine hero (watch the first Piggy epic here). [Read more]
From directors Alex Topaller and Daniel Shapiro at Aggresive: “For ‘AI on Intel’ we told five real stories of Intel’s technology in action – from stopping poaching in Africa to powering the world’s first face-controlled wheelchair, in each film we combined tech-inspired CG with cinematic live-action.” [Read more]
Slovenian animator/illustrator Dusan Kastelic’ combines imagery from his own recurring nightmare with a story he’d penned for a comic book years earlier to create a 3D animated mini-masterpiece (and massive festival hit) called “The Box.” [Read more]
Animator/designer Charlie Stewart in London chooses a soft palette, careful compositions, and measured pacing for his animated exploration of “the longevity and limitations of artificial intelligence, and the loneliness of deep space.” [Read more]
Earlier this year, hundreds of digital billboards in Stockholm’s Metro were transformed into the Emotional Art Gallery, a real-time exhibition driven by the sentiment analysis of commuters’ social media. [Read more]
In 2017, Canadian animator/illustrator Yves Paradis asked himself “What if you made an improvised animated film one week at a time for one year starting only with a character pushing a big cube in the desert?” [Read more]
Blinkink director Nicos Livesey trekked the planet to film soccer icons including Lionel Messi, Paul Pogba, and Vivenna Miedema, then created all of the striking animation for this Adidas campaign using stop-motion. [Read more]
London animator/sound designer Serafima Serafimova admits, “I’ve always had issues with the way I look. So, every time I pass even a vaguely reflective surface, I find myself sucking in my neck and tummy, tilting my head to a more flattering angle. [Read more]
