MPC Dougal Wilson IKEA | STASH MAGAZNE

Dougal Wilson, Blinkink and MPC: IKEA “The Joy of Storage”

A combination of puppetry from Jonny & Will at Blinkink and CG from MPC (created from a range of nature and bird references) elevates Dougal Wilson‘s new IKEA spot for Mother into the first major-league awards threat of 2015. [Watch]

Eric Lerner_Gabriel | STASH MAGAZINE

Eric Lerner “Gabriel in the Dreamscape”

Tel Aviv-based Nomint director Eric Lerner introduces his latest 3D character living in the real world: a yellow skater dude with strange artistic powers and existentialist issues named Gabriel. Eric Lerner: “This introduction showcases Gabriel’s world and some of my ideas of what is possible within it. [Watch]

Behind the Scenes: “Marco Polo” Title Sequence

Take a quick peek into the creative and technical process of Mill+ directors Ben Smith and Bryce Wymer as they conjure the Netflix “Marco Polo” titles with ink and vodka.

Mill+ Marco polo titles BTS | STASH MAGAZINE

Watch the finished titles here. [Watch]

Daniels_Turn Down for What | STASH MAGAZINE

Best of Stash 2014 Preview #5: “Turn Down for What”

With “Turn Down for What” set to crack 155M views on YT at the time of this post, Sirs Kwan and Scheinert’s cult status appears to be in jeopardy. But as overplayed and omni-present as it may be, this manic mini-masterwork for the DJ Snake & Lil Jon single deserves to rank on every serious 2014 Best-of list. [Watch]

ETC_Channel 4 | STASH MAGAZINE

Viktoria Modesta “Prototype” for Channel 4

London’s Electric Theater Collective supply VFX and animation back up for Rogue director Saam Farahmand‘s new stunner for Channel 4’s Born Risky campaign starring British singer-songwriter/model/multimedia performance artist/DJ Viktoria Modesta who, after spending most of her childhood in and out [Watch]

Platige Image_Vikings Discovery

Best of Stash 2014 Preview #2: Platige Image “Vikings”

A riveting tour de force of broadcast promotion from director Tomek Baginski and the crew at Platige Image in Warsaw, Poland for History Channel. Tomek Baginski: “We were working with the client for a long time before we even started planning the shoot. [Watch]