The Wall Street Journal Read Yourself Better | STASH MAGAZINE

WSJ “Read Yourself Better” by Juan Cabral and Framestore

“It was a great experience thinking about where not to use VFX,” says Framestore VFX super Jordi Bares about this breakout work for The Wall Street Journal created on a short timeline with MJZ director Juan Cabral thru The&Partnership. [Read more]

Stash 137 inspiration and insight | STASH MAGAZINE

The Stash 137 Preview: Two minutes of Pure Inspiration

Here’s your inspiration break for the day: a two-minute preview of STASH 137 – the latest compilation of 31 energizing motion design, animation, and VFX projects inducted into the Stash Permanent Collection. [Read more]

The Marathon | Santander Bank commercial | STASH MAGAZINE

Santander’s Piggy Returns in “The Marathon”

The CG creature crew at Framestore reteam with Rattling Stick director Daniel Kleinman and Arnold Worldwide to create the sophomore adventure for Santander’s porcine hero (watch the first Piggy epic here). [Read more]

Daniel Pernikoff Joins Framestore Chicago as Senior Art Director

From the release: Framestore’s Chicago office is thrilled to welcome Senior Art Director Daniel Pernikoff to the growing team. Pernikoff has worked in the visual effects and motion industry for over 15 years as an art director, lead compositor, and animator across film, television, and advertising. [Read more]

James Rogers Framestore | STASH MAGAZINE

VFX Supervisor James Rogers joins Framestore LA

Framestore welcomes James Rogers as VFX Supervisor to the Los Angeles office where he will work with the growing Integrated Advertising department, as well as collaborating with the global team on long-form content. [Read more]

Volvo The E.V.A. Initiative Goodbye Kansas | STASH MAGAZINE

Animating Volvo’s Drive for Car Safety Equality

A stripped down CG treatment by Goodbye Kansas surgically edited to the sparse dynamic’s of a track by UK producer Lapalux provides plenty of visceral punch in this spot for Volvo’s E.V.A. car safety equality initiative. [Read more]