The Charm of Chairs: FRAME Takes a Seat (or Two) With HAY

For their exhibit at the 2026 3daysofdesign event in Copenhagen, Danish design brand HAY commissioned local motion studio Frame and sound designer Arbi Alexander to showcase eight of their chair designs with style and wit.

Andreas Ibsen, CD at FRAME: “The film’s visual approach was largely inspired by silent film and stop motion aesthetics and was created with the intention of being experienced on a large-scale 4 × 2 meter screen.
 

“The chairs needed to feel like they occupied real space, moving with intent and resistance.”

 
“A central creative challenge was finding an animation language that felt grounded in the weight, material, and tactility of real objects — rather than defaulting to the fluency that CGI tends toward. The chairs needed to feel like they occupied real space, moving with intent and resistance.

“Rather than building energy through elaborate individual shots, the film finds its pace through editing. Many moments are deliberately still, held frames that let a chair exist before the cut arrives. This tension, and the rhythm that emerges from it, became the structural backbone of the film.

“Sound was central from the start, developed in close collaboration with sound designer Arbi Alexander throughout the edit rather than added at the end. The approach is entirely diegetic, with physical sounds of the chairs themselves, amplified and choreographed to drive the edit.”
 

Images

 
Close-up view of a black HAY folding chair against a plain light gray background, focusing on the chair’s FRAME and backrest. Frame from Stash Magazine article.

Close-up of black metal mesh outdoor chairs from HAY casting geometric shadows on a white surface, creating an abstract pattern with intersecting lines and shapes. Frame from Stash Magazine article.

Aerial view of several black metal FRAME chairs with slatted seats and backs, spaced apart on a white surface, casting distinct shadows and highlighting the charm of chairs in minimalist design. Frame from Stash Magazine article.

Six black HAY chairs are aligned in a row. Three of the chairs are stacked in piles of increasing height from left to right, while the other three FRAME chairs stand alone. The background is plain white. Frame from Stash Magazine article.

Black folding chairs from HAY are arranged in a winding, S-shaped FRAME on a plain white background, showcasing the charm of chairs in a visually striking and minimalist composition. Frame from Stash Magazine article.
 

Credits

 
Client: HAY

Production: FRAME
Director: FRAME, HAY

Sound Design: Arbi Alexander