Gentleman Scholar’s Typographic Feast: HP Sprout “Manifesto”

Gentleman Scholar HP | STASH MAGAZINE

Gentleman Scholar show off their typographic and multi-media chops with this perfectly-paced clip for HP’s new Sprout 3D-scanning PC thru 180LA. “The vignettes were crafted to conjure both the nostalgia of physical artistry and the exciting possibilities of digital immersion, with the typography acting as a [Read more]

Trippin’ with Golden Wolf for Skullcandy

Golden Wolf_Skullcandy | STASH MAGAZINE

London animation prodco Golden Wolf pull Houston Rocket James Harden down the Skullcandy rabbit hole in this gritty new :60 for the brand’s Crusher headphone produced thru Blacklist. [Read more]

Chris Dooley and Not To Scale NY: Virgin Hotels “Brilliant”

This rocking new two-minute animated online spot from Not To Scale director Chris Dooley thru agency 1 Trick Pony just makes me want to stay at Virgin Hotels. [Read more]

CHRLX Puts on the Ritz Carlton Reserve

Director Elliot Lim and the CHRLX crew transform Nick Iluzada‘s illustrations into a smooth and stylish take on the golden age of travel posters for Ritz Carlton Reserve.
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Eoin Duffy’s “The Missing Scarf” with George Takei

Duffy Missing Scarf | STASH MAGAZINE

Vancouver-based Irish director/animator/writer Eoin Duffy swept the film fest circuit and made the Academy Awards short list with “The Missing Scarf” a 2D/3D short he describes as an “animated dark-comedy, masquerading as a classic kid-friendly morality-tale.” Narrated with surprising passion by George Takei, [Read more]

Eve Weinberg Causes Climate “Disruption”

Designer/animator/storyteller Eve Weinberg and her Brooklyn studio NeverOddorEven (it’s a palindrome) transforms the dry history of climate science into compelling motion in one of three clips she directed this summer for “Disruption,” a doc sponsored by 350.org.

“The film was intended to do two things: Inform viewers about the science and history of climate change and get people out to the march on Sunday Sept 21st. Now that the march is over, we’ll re-cut the film to make it feature length and distribute it through a channel like Netflix (fingers crossed).” [Read more]