The obvious vitality and sheer variety apparent in these projects tell us one thing: 2022 was an exceptional year for designers charged with setting the tone for visual programming in television, film, and games. [Watch]
Director Tim Burton’s first shot at television, the new Netflix series Wednesday, opens with these appropriately spooky and only occasionally kooky titles from CD Aaron Becker and the crew at Filmograph in LA. [Watch]
Director Chet Hirsch and ECD Mike Schaeffer at The Mill spin up an enigmatic and disorienting sequence in these titles for Guillermo del Toro’s new Netflix horror anthology series Cabinet of Curiosities. [Watch]
Following their collaboration on Captain America: The Winter Soldier, the Sarofsky crew reteam with the Russo brothers to package the directing duo’s Netflix spy thriller The Gray Man in hyper-detailed CG vignettes and bold typography. [Watch]
For many Love, Death & Robots fans, Alberto Mielgo’s “Jibaro” – a boundary-pushing CG tale of a siren and a deaf knight – was the high point of season 3. And now we have a glimpse into the Spanish direct/animator’s creative process with the release of this animatic segment used during production of the final 15-minute film. [Watch]
Although Canadian stop-motion animator Kevin Parry counts serious credits on animated features including Missing Link and Kubo and the Two Strings, he is far better known as a creator of visually witty and wildly popular YouTube videos. [Watch]
