Plains Of Yonder directors Katrina Crawford and Mark Bashore (whose work we track here), reteam with the CG talents at Makmac in Barcelona for a sculptural mix of emotion and typography in their titles for the Netflix series Sirens. [Watch]
Digital Design Days returns for its 10th Anniversary Edition on October 9–11, 2025 in Milan, Italy, bringing together digital innovators, creatives, and visionaries from around the world for three days of inspiration, connection, and transformation. [Watch]
Motion designer/director João Vaz Oliveira explores how AI tools fit into the creative pipeline by reworking his original pitch boards for the Netflix series Ripley into a spec title sequence full of shadows and intrigue. [Watch]
Based in Santiago, Chile, Crinimo Studio makes their Stash debut with this collage work for Shirley, the Netflix drama about pioneering congresswoman Shirley Chisholm and her 1972 run for president of the United States. [Watch]
Directors Katrina Crawford and Mark Bashore at Seattle studio Plains of Yonder offer an insightful peek at the process behind their rodent-infested titles for the new Kathleen Jordan Netflix comedy series The Decameron. [Watch]
Three powerhouse motion studios, Antibody, Elastic, and Imaginary Forces (aka the reigning royal trio of TV title design) dominated the Outstanding Main Title Design category at the 2024 Emmy nominations announced July 17. [Watch]
