OFFSET Dublin 2019 Opening Titles by Windmill Lane
From OFFSET: “The amazing team from Windmill Lane in Dublin produced our opening film under the creative direction of John Kilkenny (creative director at TBWA\Dublin) and the artistic vision of director Arice.” [Read more]
Stash 134 Drops: Staying Inspired Just Got Easier
Grab a look at the preview for STASH 134 , the brilliant new addition to The Stash Permanent Collection – the unrivalled online library of motion design for advertising, music videos, broadcast and title design, brand films, game cinematics, and short films. [Read more]
“Girl in the Spider’s Web” Main Title Sequence
Elastic creative directors Lisa Bolan and Nadia Tzuo opened Sony Pictures’ “Girl in the Spider’s Web” with inky, sinister CG to create “metaphor and abstract visual language to hint at the main character’s untold history.” [Read more]
“Doom Patrol” Main Titles by Elastic
The latest incarnation of DC’s “Doom Patrol,” a 15-episode web series based on characters created in 1963 by Arnold Drake, Bob Haney, and Bruno Premiani, opens with this archly harrowing series of tableaux created by the Elastic design team. [Read more]
Netflix “Polar” End Titles by Worship
Polar, the Netflix action film directed by Jonas Åkerlund and based on Víctor Santos’ comic series, winds down with this arresting end credit sequence directed by Toronto’s Worship studio and produced by Tendril. [Read more]
FITC Amsterdam 2019 Titles by Maxim Zhestkov
The sold-out 12th edition of FITC’s design and tech event in Amsterdam opened with these CG titles by Russian visual artist and motion designer Maxim Zhestkov doing what he does best. [Read more]
