A top-down view of a metallic surface with intricate golden patterns, surrounded by dark panels and glowing orange flames, evokes the intense atmosphere of Man on Fire’s Main Titles for Netflix. Frame from Stash Magazine article.

yU+co Shreds “Man on Fire” Main Titles for Netflix

Studio longevity in the motion design world is all too rare, so it’s a pleasure to see yU+co, founded in LA by Garson Yu in 1998, still operating at the top of their game with these titles for the Netflix action-thriller series Man on Fire. [Watch]

A young girl in a blue dress with a red bow kneels on a sidewalk, peering into a storm drain—a nod to IT: Welcome to Derry. A bicycle lies nearby, and a missing person flyer rests on the ground in this small-town scene. Frame from Stash Magazine article.

Filmograph Reveals the Fear (and Fun) Under the Fantasy in “IT: Welcome to Derry” Titles

Following their 2025 Emmy-nom for The Penguin titles, CD Aaron Becker and the motion crew at Filmograph reteam with HBO but shift to a campy mid-century illustration style in this open for supernatural horror series It: Welcome to Derry. [Watch]

A stylized, grayscale illustration of a raven with textured, abstract orange lines and splatters evokes a moody, artistic feel—perfect for The Dark Wizard Doc’s HBO Opening Titles, set against faint, sketchy cliffs in the background. Frame from Stash Magazine article.

Brut Works Opens “The Dark Wizard” Doc Series on HBO

Barcelona studio Brut Works, whose many styles of animation we track here, assembles the energetic yet unnerving titles for a new HBO doc series, all powered by a foreboding track from American composer Dan Deacon. [Watch]

A textured image by Imaginary Forces shows a white hand and a dark hand with gold cracks running across them. The text Executive Producers Kerry Washington, Pilar Savone appears on the left side over a light background for Apple TV+. Frame from Stash Magazine article.

Karin Fong & Imaginary Forces Piece Together “Imperfect Women” for Apple TV+

Rather than hiding imperfections, the Japanese art of kintsugi highlights them in gold – a metaphor Imaginary Forces CD Karin Fong leverages to powerful effect in the titles for the Apple TV+ psychological thriller miniseries Imperfect Women. [Watch]

Close-up of a translucent, amber-colored object with organic shapes and textures, illuminated dramatically against a dark background—a visual prologue reminiscent of Kyle Cooper’s style that highlights the intricate beauty of its wrinkled surface. Frame from Stash Magazine article.

Kyle Cooper & Prologue Explore Dark Side of “The Beauty”

FX’s new sci-fi body-horror series The Beauty opens with this unnerving CG sequence, designed by Kyle Cooper and the Prologue team to reflect the “visceral transformations” at the core of the show’s narrative. [Watch]

Close-up of a green jumping spider with large black eyes and hairy legs, perched on a translucent pinkish surface, inspired by Beeldmotion's EXO in an AI-Generated Title Sequence. Frame from Stash Magazine article.

Beeldmotion Goes Macro for “EXO” Titles Experiment

Rio de Janeiro design and animation studio Beeldmotion takes a break from client work to put AI production under the microscope in this striking new in-house adventure in title design called EXO. [Watch]