London filmmaker/CG artist Frédéric Bonpapa anchors “Light Motif” on the rigorous architecture of Steve Reich’s Music for 18 Musicians, Section II, using procedural and key-framed animation to create an austere, mesmerizing and fully-CG short. [Watch]
Exec producer Gustavo Karam at Le Cube in São Paulo just dropped us the studio’s latest work, a dark and dramatic online clip called “Wind” marking the 20th anniversary of Greenpeace in Chile
“We believe that design and animation are universal tools for communication and need to be used much further than just entertainment and advertising. With this in mind, Le Cube joined forces with the Chilean agency Porta to tell a story of the corruption of nature by men.
“Ecology and sustainability are not just public relations words, they are values every single person on Earth need to incorporate. Greenpeace is a leading organization undertaking this mission and this is why we are proud to create this film for them and for the cause.” [Watch]
Quick blast of stylish 3D adrenalin from the crew at Milan motion studio Ditroit to open MTV’s new docu-reality property “Motorhome” tracking the exploits of four teenagers vying for an Italian motorcycle racing championship. [Watch]
The Stash Permanent Collection keeps growing with Stash 108 adding another 31 brilliant animation, VFX and motion design projects totaling over 110 minutes of inspiration and insight including our biggest line up of behind-the-scenes yet, plus exclusive interviews with the designer and directors behind the work. [Watch]
Lobo breaks out their full range of production and animation skills to yank you back and forth in time to revisit more than 20 of adland’s most-award work for the UK’s prestigious D&AD awards.
“Wish You Were Here? offers an alternate, off-kilter and somewhat belated 50th anniversary tribute to the D&AD, summing up in an unusual way many highlights from over five decades of Pencil winners, it’s also part of a broader Call for Entries campaign aimed at generating awareness and excitement around the 2015 D&AD Professional Awards.
“We didn’t want to simply create a collage of pieces in a retrospective reel fashion. Our goal was to offer a creative reinterpretation of the Awards’ heritage… all the while keeping a coherent visual identity throughout, since D&AD is notorious for its strong brand integrity.” [Watch]
Royale sets the tone for CW’s hit post-nuclear drama “The 100” with an intriguing mix of live action, CG, matt paintings and motion graphics.
Jayson Whitmore, ECD/partner at Royale in LA: “We wanted to expand on the show and give viewers a reason to pay close attention to the titles. The narrative information in each shot gives die-hard fans and casual viewers a sense of a much larger world yet to be fully explored.
“Everything from the locations to the telemetric data being displayed is pulled straight from the show’s cannon. Taking this even further, the first and last shot of the sequence will change for each and every episode.”
