Makino_Baloney Speaker | STASH MAGAZINE

Atsushi Makino for Sasano Maly’s “Baloney Speaker”

Director/animator Atsushi Makino hand-crafted more than 60 intensely detailed match boxes then blended them with traditional animation, CG, stop-motion, and roto’d footage of Japanese artist Sasano Maly performing his track “Baloney Speaker” for U&R Records.
[Watch]

Ruff Mercy_Old English | STASH MAGAZINE

RUFFMERCY: Old English ft. Young Thug, Freddie Gibbs, A$AP Ferg

Mr. Murphy doing what Mr. Murphy does best: assaulting your visual cortex with a quasi-NSFW flow of kick-ass nasty. Produced by London’s MyAccomplice. [Watch]

Daniels_Turn Down for What | STASH MAGAZINE

Best of Stash 2014 Preview #5: “Turn Down for What”

With “Turn Down for What” set to crack 155M views on YT at the time of this post, Sirs Kwan and Scheinert’s cult status appears to be in jeopardy. But as overplayed and omni-present as it may be, this manic mini-masterwork for the DJ Snake & Lil Jon single deserves to rank on every serious 2014 Best-of list. [Watch]

Encylopedia Pictura_Panda Bear STASH MAGAZINE

Encyclopedia Pictura + Eran Hilleli: Panda Bear “Boy’s Latin”

San Francisco directing team Isaiah Saxon and Sean Hellfritsch aka Encyclopedia Pictura, replace their intricate and hyper-detailed live action ways with intricate and hyper-detailed animation on the music video for Panda Bear’s “Boy’s Latin” with Hornet director Eran Hilleli on board as animation director. [Watch]

Minivegas_ASUS2 | STASH MAGAZINE

Birds of a Feather: ASUS T100 and Fulton Lights

Minivegas‘ fun new ASUS clip featuring working stiff birds of all types extends an idea explored by UK director Ninian Doff back in 2011 for his no-budget Fulton Lights “Staring Out of The Window” music video starring a Rat Pack of crows.

[Watch]

Carboni_Cruisr All Over | STASH MAGAZINE

Chris Carboni: Cruisr “All Over”

NYC freelance director/designer/animator Chris Carboni and his crew of two animators weave dozens of feature film couples into a slipstream of “I know that one” moments and clever transitions that demand repeat viewing. Chris Carboni: “The concept was born out of the central theme of the track: [Watch]