Inventive and minimalist character work keeps Utrecht studio Job, Joris & Marieke on our must-watch list. Like this music video for instance: a monochrome romp with dark undercurrents for fellow Dutchman Job Roggeveen and his collaborative musical project called Happy Camper. “The Daily Drumbeat is a sunny song [Watch]
Blink Ink director Noah Harris and crew craft a frenetic and riveting fusion of 3D-printed stop-motion elements and 2D animation for Bristol producer Julio Bashmore’s “Peppermint,” proving once again that killer visuals can rescue mind-numbing dance tracks. Lead stop-motion animator was Andy Biddle, and post credits [Watch]
Rush back thru a stream of pop culture as NY director Kris Mercado tackles his “more awkward years” chasing the visuals for “Red Tuxedo” for Aussie pop-rockers The Griswolds. [Watch]
Barcelona’s Tigrelab nudge the lyric video genre forward by interpreting the melancholy of “Blue on Blue” from James Blunt’s latest album Moon Landing thru the cold detachment of technical schematics. [Watch]
Bristol director/designer/animator/seizure inducer and Stash fave Russ Murphy teams with director Pace Rivers for his latest graphic maelstrom, a flickering glitchiphonic “Apocalypse” by NY rapper/producer TiDUS – shot in the artist’s home town and screwed with heavily back in RUFFMERCY studios. [Watch]
Shynola adds a new chapter to their canon of innovative music videos with this otherworldly CG take on “Tookah” by Iceland’s Emiliana Torrini. The synthetic style of the submerged facial animation will strike some as unfinished or at least lacking finesse, but there’s no doubt it adds an element of unease that elevates the clip above the merely ethereal. Label: Rough Trade, direction/animation/edit: Shynola, production: Black Dog Films.
