Stash 105 showcases the planet’s top design, animation and VFX studios plus breakout young motion talent, adding another 31 outstanding video projects to the permanent collection. Carefully curated since 2004, the Stash library now features over 4,000 exceptional films and behind the scenes features, with [Watch]
Sir Paul McCartney commissioned London’s master puppeteers Mervyn Millar and Ed Dimbleby (aka Significant Object) to create Newman, his robot co-star in this music video for “Appreciate” by Oslo director Andre Chocron. Newman will also appear live on stage at McCartney’s concerts in Tokyo, Osaka and Seoul. [Watch]
Trippy new video for the theme song from Takaski Murakami’s feature film “Jellyfish Eyes” with freakishly over-the-top CG animation by Kaikai Kiki Sapporo Studio Poncotan. The track, “Last Night Good Night (Re:Dialed)” by livetune (featuring Hatsune Miku) was remixed by Pharrell Williams. You may not make it [Watch]
The NY studio of Eyeball handled production and creative direction of this music video for former Brazilian Girls’ vocalist Sabina Sciubba’s new track “Viva L’amour,” hand-rendering 600 illustrations based on footage of Sabina shot in her Paris living room by UK artist Oliver Clegg and his sketches. The video was completed in just four weeks. [Watch]
The Japanese delicacy known as hachinoko (baby bee larvae) lends its name to this track from electronic duo Simian Mobile Disco brought to life in a “3D-animated whirlwind of the surreal and humorous” by London creative agency DesignStudio and AD/designer Jack Featherstone. [Watch]
And the Award for Best Performance by a Deaf Blue Monster in a Music Video goes to Oh Yeah Wow director Darcy Prendergast who spent three months learning the Auslan sign interpretation of the song’s lyrics then endured a 26-hour shoot on a scorching 40C-degree day after only an hour’s sleep. Co-directed by Andrew Goldsmith. [Watch]
