Stash is pleased to present the online premiere of Richard Hickey’s “Francis.” A former Superfad director/CD, Hickey (now repped by Not to Scale in the UK and Logan & Sons in the US) worked with EP Kevin Batten to craft the tense and perfectly-paced film from a Dave Eggars short story first heard on a “This American Life” broadcast. [Watch]
London animator, director, writer and all-round motion-master Fraser Davidson follows his 2012 “Irritable Bowl Syndrome” with another sharp and breathless ode to American football once again combining the pacing of a rant with his signature graphic style to provide both hilarity and insight, all fueled by the VO talents of Billy Baumann and Mark Brickey at aidpodcast.com. Audio: Morgan Samuel. [Watch]
Both fans and detractors of Milkyeyes (aka Donato Sansone) have come to expect the unexpected from the Torino-based director/animator/artist/compositor who often pushes his video experiments past the boundaries of NSFW. This latest piece, an exercise in disturbing/comic portraiture, builds on his “Draft” video [Watch]
Japanese motion designer/director Takashi Ohashi dials in his talent for weaving simple elements into intricate and engaging worlds by referencing electrical schematics and side-scroller video games for his new music video for the insanely catchy Megu & Patron track “pari pari pari.”
[Watch]
After winning the Oscar for Best Foreign Language Film in 2009 with his thriller “The Secret in Their Eyes”, Argentine director Juan José Campanella launched his first animated film, “Foosball”: budgeted at US$20M the soccer-centric action comedy is the most expensive domestic feature ever produced in Argentina. [Watch]
Berlin’s Polynoid (aka Jan Bitzer, Ilija Brunck, Csaba Letay, Fabian Pross, Tom Weber) just released this ambitious/meticulous Dragon Eternity game trailer thru their new prodco/studio venture called Woodblock designed to separate production from the “pure directing and filmmaking character that defines Polynoid as a creative collective. Woodblock opens up new possibilities for us as filmmakers, and for our studio as a production house by introducing our roster of different directing talent and artists.” [Watch]
