Landing that first job in animation can be tough, so Stash is excited to present these real-world tips from an industry insider: Rachel Ashley, head of artistic recruitment at animation powerhouse Titmouse. [Watch]
![Two people stand in front of a large "WE [heart] PITCHING" sculpture in a lively city plaza. This scene, featured in We Love Pitching Part 1, captures the creative buzz highlighted by Stash Media’s guest editorial. Frame from Stash Magazine article.](https://www.stashmedia.tv/wp-content/uploads/We-Love-Pitching-Part-1-Guest-editorial-by-Claus-Cibilis-_-STASH-MAGAZINE-960x540.jpg)
In part 2 of his deep dive into the messy, contentious, (some would say broken) world of competitive creative pitches, Nerdo ECD Claus Cibils examines how pitching works and how it can work better. [Watch]
In this first installment of the We Love Pitching series on Stash, Nerdo ECD Claus Cibils introduces the many systemic problems affecting the competitive commissioning infrastructure of the design and motion industry. [Watch]
In the first of a two-part article, creative industry audio veteran Jochen Mader at ZENTHING in Munich gives Stash fans valuable insights into the state of motion design’s most crucial creative partner: sound design. [Watch]
In the second half of her Stash guest editorial, Bianca Redgrave, managing director at Studio Private in London, looks at how AI should be embedded into production pipelines and hiring to future-proof post studios. [Watch]
In this first installment of our new guest editorial series, Bianca Redgrave, managing director at Studio Private in London makes the case for how post, in its many forms, has evolved into a full creative production partner. [Watch]
