Impactist Package “The Most Dangerous Animal of All” for FX
February 26, 2021
A new must-see touring exhibition documenting the collaboration of David Bowie and English photographer Brian Duffy over five albums from 1972 to 1980 becomes all the more intriguing with this promo by Scottish motion director Chris Bain. [Read more]
DeeKay Kwon, a South Korean designer/animator/director living in New York, doubles down on his wish to “make others happy through my animation” with this new short film, a smile-packed look at a day in the life of an animator. [Read more]
In a follow-up to their standout 2018 brand film for AutoStore, Tendril expands the signature minimalist aesthetic to capture what they call “the bright, elegant future of order fulfillment”. [Read more]
Extreme weather event meets precision dance and sartorial finesse in this holiday spot for Burberry by Riff Raff directors Megaforce with icy VFX support from the crew at MPC. [Read more]
The first truly teary holiday spot of 2020 just arrived courtesy of Disney with the Flux animation team in Auckland, New Zealand tying together Mickey Mouse and the Filipino holiday tradition of crafting parol lanterns. [Read more]
The mix of 3D and 2D animation by Glassworks Amsterdam with a soulful cover of Bob Marley’s “Three Little Birds” from singer/songwriter Frances, keep the emotions warm and stirring in this holiday work for giant German retailer PENNY. [Read more]
Aimed at teens struggling with body image, gender identity, and mental health issues, this disarming spot by Rowdy Films director Catherine Prowse and stop-motion veterans Tim Allen and Tobias Fouracre assures kids that “Nobody is Normal”. [Read more]
Strange Beast director Anna Ginsburg conveys the vast array of emotions women experience in relation to their breasts and how they’re perceived by themselves and others for UK charity Breast Cancer Now thru agency Weber Shandwick. [Read more]
HBO’s new “Equal” docuseries, covering the history of LGBTQ civil rights, opens with this brisk and fiery collage of imagery by design director Allison Brownmoore and the crew at London design and VFX house Blue Spill. [Read more]
