1stavemachine_Stella Artois | STASH MAGAZINE

1stavemachine: Stella Artois “Learn How Water Leaves a Mark”

1stavemachine and Mother London focus attention on the global water crisis with a spectacular spiral zoetrope directed by Tim Brown and 1stave’s resident master of physical magic Bob Partington for the ongoing partnership of Stella Artois and Matt Damon’s Water.org. [Watch]

1stAveMachine Slow Berg | STASH MAGAZINE

The Slowest (and Funniest) Rube Goldberg Machine Ever

The crowded Rube Goldberg-inspired video genre gets a much-needed kick in the funny bone from 1stAveMachine director (and Rube Goldberg specialist) Bob Partington who, over the course of six and half weeks, employs molasses, a turtle, melting Popsicles and sprouting grass to create “Slow-Berg.” [Watch]

1stAveMachine Isabella Parish | STASH MAGAZINE

1stAveMachine Launches in London with Isabella Parish as MD/EP

From the release: Award-winning mixed media production company 1stAveMachine has established its European footprint by opening the doors to its dedicated London office, which will house its own set of UK-based directors and talent. Leading the charge at the new London operation is managing director/executive producer Isabella Parish, an animation/production vet who spent well over […] [Watch]

Koodo Camp Jefferson | STASH MAGAZINE

Camp Jefferson: Koodo “Free refills”

If we leave aside the question of whether an “honest and fair” phone company is even a possibility, this new spot from the recent Koodo campaign thru new Toronto agency Camp Jefferson packs lots of bonkers multimedia into 30 seconds. [Watch]

TBWA\Chiat\Day_Gatorade Be Like Mike | STASH MAGAZINE

1stAveMachine Wants to “Be Like Mike”

1stAveMachine remixes Gatorade’s 1991 feel-good classic “Be Like Mike” spot with tasty layers of rotoscoping and graphics for TBWA\Chiat\Day. [Watch]

Behind the Scenes with 1stAveMachine: Samsung “Holiday Dreams”

Take a quick look at how the 1stAveMachine crew and directors Ben Steiger Levine and Martin Allais float an animated holiday tale across an intensely complex practical set rigged with 74 Samsung screens all shot in-camera and in real time. Agency: R/GA. [Watch]

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