A Washington Post page about a camera network used for stalking, presented as a Relentless campaign film by Blinkink and Uncommon, heavily obscured by red geometric shapes, black redaction bars, and hand-written annotations. Frame from Stash Magazine article.

Sabih Mahmood’s Relentless Motion for The Washington Post

Working thru Blinkink, director Sabih Mahmood builds up layers of gritty urgency to match a compelling script by the NY office of Uncommon Creative Studio in their first work for the Washington Post. [Watch]

An ornate book titled The Creative Code of Arms is open on a stand, flanked by two suits of armor. Chronicles of artistry unfold across its pages as a shield with WE❤️P hangs behind, set against red curtains and lit candles. Frame from Stash Magazine article.

We Love Pitching: Chronicles of a Necessary Mess – Part 19

Nerdo ECD Claus Cibils explores the underlying (and deeply human) elements of respect and rejection as they relate to the creative pitching process, in the latest chapter of his series of Stash editorials. [Watch]

A collage of four abstract graphic designs in the style of the Shiritori animated short film: a plus sign with a floral pattern, a red ribbed looping shape, geometric pink and blue forms, and a diamond frame surrounding blue and purple elements. Frame from Stash Magazine article.

Transitional Flow: Watch Hitoshi Morita’s Mesmerizing New Short Film “Shiritori”

Hitoshi Morita, founder and director at MULTRA in Tokyo, just sent us his new personal project, a one-man exquisite corpse-style compilation of sixty connected short clips produced daily over the course of two months. [Watch]

A futuristic soldier in a helmet and yellow scarf holds a high-tech rifle, standing against cracked stone in a ruined, reddish landscape—evoking the cinematic style of Gort sci-fi short film by Beeld. Frame from Stash Magazine article.

Beeld Let’s Loose With GORT Sci-Fi Action Short Film

The last time we featured Rio de Janeiro design and animation studio Beeld was for this macro nature doc exercise. But GORT, their newest in-house project, trades the microscope for a mech and plenty of sci-fi action. [Watch]

A colorful, cartoonish robot with a blue face and red star eyes stands before a black-and-white checkered background, as floating numbers and binary code form an @ symbol—evoking the Kairm Dabbèche Overload Short Film. Frame from Stash Magazine article.

Karim Dabbèche Makes Stash Debut with “Overload” Short

Munich-based motion designer/illustrator Karim Dabbèche just dropped us his new feel-good micro-short called Overload, a whimsical multi-style exploration of “multiplicity, forms and identities”. [Watch]

Abstract, colorful, iridescent figures and shapes dazzle in four panels with white text overlays, blending fluid patterns and metallic tones in the 2026 GEMA Awards Title Sequence by Woodwork Amsterdam. Frame from Stash Magazine article.

Woodwork Amsterdam Opens 2026 GEMA Awards Season

ECD Marvin Koppejan and the CG motion crew at Woodwork Amsterdam help The Global Entertainment Marketing Academy of Arts & Sciences celebrate their 70th awards season with an arresting title sequence and graphics package. [Watch]