Stash 120 Now Online: Watch the Preview!

Twelve years and 120 issues later, the Stash Permanent Collection keeps growing – delivering inspiration and insight to subscribers on six continents with access to over 4,400 outstanding design, animation and VFX projects PLUS behind-the-scenes features and exclusive Stash interviews. [Read more]

Download the New Stash Latin America App!

Stash Latin America app | STASH MAGAZINE

The design, animation, and VFX talent in Latin America continues to amaze us and now you can keep up with the latest work from this vibrant and innovative market with the FREE Stash Latin America app for iOS. [Read more]

Behind the Scenes of Sainsbury’s “The Greatest Gift Is Me”

Sam Fell passion_sainburys Perfect Gift | STASH MAGAZINE

Oscar-nominated Passion Animation director Sam Fell updates traditional stop-motion characters with 3D-printed expressions for this year’s Sainsbury holiday film thru AMV BBDO complete with the voice talents of James Corden and a track by Flight of the Conchords’ Bret McKenzie. [Read more]

Jack Cunningham: “Proper” Stop Motion for Tripl Stitched

Tripl Stitched Nexus | STASH MAGAZINE

Nexus director Jack Cunningham mixes classic stop motion and 3D animation with 3D printing to create “a unique insight into how the craft of making has evolved whilst still retaining traditional values and skills” for London men’s clothing label Tripl Stitched. [Read more]

Stash 119: A Full-frontal Blast of Inspiration

From crazed hand-crafted animation and innovative stop-motion to complex VFX and intense 3D projects, Stash 119 delivers a full course of inspiring motion projects, PLUS 28 minutes of behind-the-scenes features and exclusive interviews. [Read more]

Making of Yeti lane’s “L’Aurore” Music Video

Viémont YETI LANE - L’Aurore | STASH MAGAZINE

Have a look behind the scenes as everything spirals to hell at the Pandora diner in this painstakingly detailed music video for “L’Aurore” from Paris psych-rock band Yeti Lane, co-directed by stop-motion master Simon Gesrel and editor Arnaud Viemont. [Read more]