Reviewing the best trailers from last month’s E3 event reminded me of a quiet but important rivalry between two studios hammering on the boundaries of 3D filmmaking: Blur Studios in Los Angeles and Digic Pictures in Budapest, Hungary. Both studios take commissions for commercials and other genres of [Watch]
Director Martin Stirling of Unit 9 and London agency Don’t Panic nail the tone, pacing, imagery and music in this Greenpeace spot calling for the end of the partnership between Lego and petro-behemoth Shell who sells Lego toys at gas stations in 26 countries. [Watch]
Director Darren Dubicki and the Aardman crew show off their non-Wallace & Gromit side projecting impressionist illustrations onto 3D geometry to create this :90 centerpiece of the multi-platform campaign to promote the Imperial War Museum London and commemorate the First World War Centenary in the UK. [Watch]
New Zealand director/animator/illustrator and “maker of things” Rob Wallace, aka Parallel Teeth, joins the roster of London’s Strange Beast. [Watch]
London animation collective Plastic Horse just dropped the first of four videos for Italian DJ/producer Francesco “Phra” Barbaglia’s Crookers project, a weird and wonderful dream-like adventure driven by the simple brief “to create a set of videos that were fucked-up”. Plastic Horse: “Our main creative challenge [Watch]
Designing with chalk, black cardboard, pencils and white crayons then animating in Photoshop, co-directors Kris Merc and Benjy Brooke craft an angular, shadow-filled world in this personal labor-of-love video for The Peach Kings track “Mojo Thunder.” Kris Merc: “I wanted to explore self destructive behaviors [Watch]
