Revenant Welcomes CG Supervisor Drew Robertson and Supervising Producer Lindsay Weir
May 2, 2024
Kibwe Tavares “The Seed and The Moon”
Nexus director Kibwe Tavares, who you know from his excellent big fish tale “Jonah,” turns his considerable narrative talents to the financial world in this detail-packed three-minute brand film for Umpqua Bank animated by the Nexus crew and produced thru CAA Marketing. [Watch]
Athletes Ad Infinitum: Under Armour “Rule Yourself”
The Mill VFX team and Oscar-winning director/DP Wally Pfister transform what might have been yet another slick showcase for elite athletes (Misty Copeland, Stephen Curry and Jordan Spieth) into a complex and memorable spot for Under Armour thru Droga5, mobilizing the studio’s skills with Massive software [Watch]
Not to Scale Signs Directing Trio Le Cube
From the release: Film and animation content studio Not To Scale announced today the signing of Le Cube to their directorial roster. Made up of creative director Ralph Karam and executive producers Gustavo Karam and Juan Manuel Freire, Le Cube specializes in animation, illustration and character design. Best known for their award-winning works for Greenpeace, […] [Watch]
Chris Curtis: Deloitte “The Internet of Things”
Hypnotically dense collage work from Not to Scale director Chris Curtis keeps you glued despite the dry-ish voice over of this summary of the The Internet of Things for Deloitte University Press, all with the goal of “Bringing a human touch to infographics, with people not pie charts.” [Watch]
Not to Scale Welcomes Robert Rugan to Directing Roster
From the release: NEW YORK, NY – June 18, 2015- Production and animation studio Not To Scale welcomes award-winning writer and director, Robert Rugan to its roster of directors. Robert has worked with clients including Google, Kodak, and Nikon. He also won a Bronze Cyber Lion at Cannes, Gold and Silver CLIO awards, four AICP […] [Watch]
Spectacular MacLaren 570s from Dom & Nic and MPC
Outsider directors Dom & Nic: “After researching the feasibility of shooting a real black swan it became clear the best way forward for this film was to create it entirely in CG [but] we wanted to approach it with the same mentality and process that we would do a live action shoot. [Watch]
