“Transcendent steampunk octopus,” said no one. Ever. Except Jon Yeo, the London based director/writer/editor and DP of “Leviathan Ages,” the VFX-driven short sweeping thru the film festival circuit for the past year powered by the authoritative VO work of Robert Blythe and atmospheric audio from Radium. [Read more]
Misters Kwan and Scheinert‘s singular genius for in-your-face-unpredictable-mayhem continues with this new short produced by Pretty Bird and presented by DAZED starring An Interesting Ball, a handful of cosmic-mini-dramadies and some lol VFX. Don’t think. Just watch. [Read more]
Kyle Cooper and his team dare you to look too closely at their opening sequence for FX Network’s “American Horror Story: Freak Show,” a disturbing mix of stop-motion grotesquery, 2D nightmares and live action creep-outs housed in carefully crafted miniature environments and all shot in the Prologue garage in Venice, CA. [Read more]
The line between VFX and live action vanishes in this massive, action-stacked 90-second launch trailer for Activision’s Call of Duty: Advanced Warfare FPS from Pony Show director Peter Berg and MPC LA thru 72andSunny. [Read more]
Clever combination of motion control and CG from director/CD Michelle Dougherty and the Imaginary Forces crew highlighting Toyota’s hybrid technology and new Fuel Cell Vehicle thru agency DentsuBos.
Take a peek at the shoot and post process below:
Grab a look at the labor behind the 90 VFX shots The Mill created for the recent BBC Music launch spot from Riff Raff director Francois Rousselet and Red Bee Media featuring 26 music stars joining Brian Wilson for a grand version of The Beach Boys’ classic “God Only Knows.”
Watch the finished spot below: