The CG motion team at Found in London lean hard into austerity and minimalism to communicate intangible technology and visualize complex math and data flows in this new film for US semiconductor and AI company Tensordyne. [Watch]
Vitor Teixeira, a Portugal-based senior 3D designer at NotReal, just dropped us his latest personal project, a richly tactile experiment he describes as the intersection of “human art direction and machine learning.” [Watch]
Sydney 3D and motion design studio Chalk Company makes their Stash debut with this carefully rendered CG work for London-based Australian producer/DJ Air Max ’97 (aka Oliver Brian) and his latest EP “Fool’s Errand”. [Watch]
Panoply partners Mark Lindner and Simon Holmedal, whose client and experimental work we track here, just dropped us their latest CG opus, an intricate and intriguing brand film for AI code review platform Graphite. [Watch]
If you were wondering (like us) who’s behind the kinetic complexity of FOX Sports’ massive FIFA Men’s World Cup 2026 broadcast package, I’m happy to reveal it’s the team at veteran US sports branding agency Drive Studio. [Watch]
Building on their previous collaborations with IBM, the Tendil design and motion team defines a new, flexible, and cohesive visual language to help unify the company’s broad range of products. [Watch]
