FSM Create: Kellogg’s “Imagine”

The often cloying and predicable genre of breakfast-cereal-animation gets a refreshing graphic update in this snappy and exhuberant :30 mix of 2D and 3D talent from directors Emile Rademeyer and Phil Meatchem at FSM Create thru JWT Sydney. [Watch]

Parquerama_Big Bang Dog | STASH MAGAZINE

Parquerama Studios: “Big Bang Dog”

Matias Vigliano and Dante Zaballa (aka Parquerama Studios) create psychotropic and loop-filled animated worlds blending pencils, markers and After Effects. Much to our delight, they just sent us their latest collaboration: a non-sensical, vibrant and amorphous tale called “Big Bang Dog.” Vigliano and Zaballa: “Cartoons [Watch]

Onur Senturk: Amnesty International “Pens”

Powerful and ambitious new full CG spot driven by motion capture for Amnesty International directed by Onur Senturk, co-produced by Troublemakers.tv with post and animation handled by studio One More all via TBWA Paris, “Pens” keeps up the battle to inspire communities to defend their fundamental human rights [Watch]

SAMSUNG GALAXY 11 "THE MATCH" EPISODE 1 | STASH MAGAZINE

PSYOP Unleash Galaxy 11 “The Match” Episode 1 for Samsung

Directors Todd Mueller, Laurent Ledru and a massive Psyop crew continue Samsung’s World Cup sci-fi adventure treating us to the first half of “The Match” to save Earth written by feature writers Brian McCauley Johnson and Marc Hyman and called by famous football broadcaster Martin Tyler. [Watch]

Arenas_NYTimes STASH MAGAZINE

Freddy Arenas: Modern Love in The New York Times

Brooklyn director/designer/animator Freddy Arenas spins an engaging mix of metaphors and illustrative vignettes into a short animated tale of devotion in the face of adversity for the Modern Love column of the New York Times. Sound design by Jocelyn Gonzales, senior producer: Zena Barakat. [Watch]

Passion Nike The Last Game | STASH MAGAZINE

Passion: Nike “The Last Game”

World Cup hype officially hits full stride with Nike “The Last Game,” an epic five-minute, full-CG branded short by Passion director Jon Saunders and development CD Pete Candeland thru Wieden+Kennedy, Portland. In production for seven months, the film required a peak crew of over 300 including 101 artists and 25 animators. [Watch]