Vancouver-based Irish director/animator/writer Eoin Duffy swept the film fest circuit and made the Academy Awards short list with “The Missing Scarf” a 2D/3D short he describes as an “animated dark-comedy, masquerading as a classic kid-friendly morality-tale.” Narrated with surprising passion by George Takei, [Watch]
Partizan director/animator Victor Haegelin follows up the quirky charm of “Professor Kliq” with a more ambitious stop motion project called “Captain 3D.”
The film, which makes beautiful use of 3D-printed replacement facial animation, was shot in August but needs your help to finish the post via this page on crowd funding site Ulule.
[Watch]
Edlyn Capulong recently graduated from the animation program at Sheridan College in Ontario with this short film – a charming mix of 2D animation and miniatures – about “Lucy, who lived in the pines, was once bored out of her mind. But what she would discover, was a thing like no other; an unexpected friend she would find.” [Watch]
Issue 107 adds another 1.5 hours of inspiration and insight to the Stash Permanent Collection of over 4,000 outstanding animation, VFX and motion design projects including behind the scenes features and exclusive interviews with the talent behind the brilliance. [Watch]
This vibrant and frenetic animated short from Mill+ thru Brothers and Sisters agency gently reveals the good-for-all corporate values of children’s eco-fashion brand The Fableists. Narrated by UK comedy goddess Jennifer Saunders
Mill+ animation director Ivo Sous: “We gathered as much inspirational material as possible. This was followed by a real hands on approach creating character designs, mood boards, style frames, storyboards and animatics.
“Style frames were drawn up in Photoshop, the character animation was drawn frame by frame in Flash, with other elements being completed in Cinema 4D before the whole piece was composited together in AFX and Premiere.” [Watch]
The all-Brooklyn duo of Joe Donaldson and Jay Quercia take inspiration from the Magnus typeface for their stab at Animography’s monthly animation project.
“We didn’t have any preconceived notions of doing a film noir style short. Typically, the Animography monthlies are very short visual-based explorations primarily using typography.
“From the beginning we knew we wanted to shape our story around the Magnus typeface but at the same time we didn’t want to make it just about the type itself. Early on in the development stage we observed that the way the type animates on is similar to the movement of opening and closing blinds so windows and blinds became the root of our idea.
“Soon after we landed on the noir genre and consequently built the story around the theme of high contrast lighting, corruption and a tortured detective. Overall, it was a great experience in focusing on style while also reaching further into the realm of storytelling.” [Watch]
