Stash 146 video preview video | STASH MAGAZINE

Preview All the Projects Included in Stash 146

Get your spring inspiration on with this two-minute trailer of the 31 new design, animation, and VFX projects packed into Stash 146, the latest brilliant addition to the Stash Permanent Collection. [Read more]

Take Tour of "Casa Nespresso" with FutureDeluxe | STASH MAGAZINE

Take a Tour of “Casa Nespresso” with FutureDeluxe

The centerpiece of a massive new campaign for Nestlé’s mega coffee brand, this sweeping and intricately detailed video by CG masters FutureDeluxe thru agencies McCann and Hogarth introduces the Casa Nespresso as the House of Gifting. [Read more]

XXXX Dry "Yeah Nice!" by FutureDeluxe | STASH MAGAZINE

XXXX Dry “Yeah Nice!” by FutureDeluxe Sydney

With their original brief sidelined by COVID restrictions, Aussie beer brand XXXX Dry and their agency Host/Havas turned to the Sydney branch of CG specialists FutureDeluxe for something fresh and different. [Read more]

Optus Yes brand IDs | STASH MAGAZINE

Optus “Yes” IDs by FutureDeluxe

As in most creative endeavors, not all the brilliant bits of the design process make it to the final cut. And that is why you’ll want to gander at this process reel from FutureDeluxe showcasing the R&D behind their new Optus IDs. [Read more]

Ecobee Your home as you imagine it by FutureDeluxe | STASH MAGAZINE

Ecobee “Your Home, as You Imagine It” by FutureDeluxe

Andrew Jones, founder/ECD at FutureDeluxe in London: “Created as part of a global rebrand to coincide with the launch of Ecobee’s new SmartHome products, we were commissioned to design, direct and craft a series of product films to help bring Ecobee to the forefront of SmartHome innovation. [Read more]

FuturePlay Expressive Computer Vision #2 by FutureDeluxe | STASH MAGAZINE

FuturePlay by FutureDeluxe

Founder/ECD Andrew Jones at FutureDeluxe in London describes FuturePlay, the studio’s new in-house exploratory project, as a “study of procedural systems designed to artistically reinterpret external spatial and visual inputs.” [Read more]