The Stash permanent collection continues to grow as issue 106 archives another 31 outstanding motion design, animation and VFX projects for our loyal base of professional and student subscribers.
This issue features 90+ minutes of commercials, broadcast design, music videos, brand films, short films and behind the scenes extras from the planet’s top artists and filmmakers with production notes, toolkit and links for every project – Plus stills, style frames, exclusive interviews.?
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Category Advertising, Animation, Broadcast Design, BTS, CG, Character Animation, Featured, Motion Design, Music Video, Short Films, Student Work, VFX · Tags Stash
If you’ve seen the work The Embassy kicks out for features like “Elysium” and “Enders Game” you won’t be surprised by the Vancouver studio’s seamless execution in this Gymkhana-inspired clip for BMW Canada (featuring the 430Hp M4) directed and edited in-house by Ozan Biron thru BMW’s ad agency of record, Toronto’s Cundari. Charles Deenen at Source Sound LA created the visceral audio. [Watch]
Matt Pyke and Universal Everything continue to explore the mix of tasteful and abstract 3D animation in corporate installations with a series of audio-visual pieces for Johnnie Walker House in Seoul, South Korea “inspired by the phenomenon of synaesthesia, where the brain ‘sees’ sound or ‘tastes’ color.” [Watch]
Ringling College of Art and Design students Michael Yates, Aurry Tan and Sharon Huang fight back against the French domination of student animation films with “Legend of the Flying Tomato” the boisterous tale of red-headed Frida “a hero in the legendary luchador El Pirana… and a mysterious taco salesman.” [Watch]
The CG Student Awards continue to grow at an astounding rate, doubling last year’s entry total to 650, piling on sponsors, tripling their site traffic and matching more talent with studio internships and employment. Have a look at the winners here. [Watch]
Reviewing the best trailers from last month’s E3 event reminded me of a quiet but important rivalry between two studios hammering on the boundaries of 3D filmmaking: Blur Studios in Los Angeles and Digic Pictures in Budapest, Hungary. Both studios take commissions for commercials and other genres of [Watch]
