Powered by Foreigner’s almighty power ballad “I Want To Know What Love Is,” London VFX house Electric Theatre Collective bring the house down with bang-on performances and perfect integration in Freeview “Left Behinds” directed by Rogue Films’ Sam Brown thru Leo Burnett. [Watch]
NYC freelance director/designer/animator Chris Carboni and his crew of two animators weave dozens of feature film couples into a slipstream of “I know that one” moments and clever transitions that demand repeat viewing. Chris Carboni: “The concept was born out of the central theme of the track: [Watch]
In his latest work for Activision (with one of the best/worst titles of all time), Axis director Ben Hibon keeps the engaging action and drama of his previous game pieces while shifting from his signature illustrative/stylized 3D approach toward a more conventional genre realism.
Animation and production by Axis in Glasgow, produced by Gerardo Alvarez. [Watch]
“Transcendent steampunk octopus,” said no one. Ever. Except Jon Yeo, the London based director/writer/editor and DP of “Leviathan Ages,” the VFX-driven short sweeping thru the film festival circuit for the past year powered by the authoritative VO work of Robert Blythe and atmospheric audio from Radium. [Watch]
The latest in a wonderfully wacky animated campaign for French financial services provider Cofidis from Passion Paris director Jack Antoine Charlot asking a timeless question about bikers: “Prejudice, why?” [Watch]
A pristine and intricate 3D treatment for the Fine Jewellery Room of legendary UK retailer Harrods from director Liam Chapple and London motion veterans Mainframe who say they were asked to base the piece around a clockwork insect. [Watch]
