How do you open a retro-future TV series about a scam selling timeshares on the moon? CD Ronnie Koff and Imaginary Forces opted for what they describe as a “hypnotic ride of apparatuses with an underlying eerie imbalance.” [Watch]
Despite boasting the longest list of VFX credits we’ve ever seen for a commercial, director Mark Jenkinson and The Mill crew keep narrative and emotion firmly in the foreground of NASCAR’s ambitious 75th anniversary film. [Watch]
The motion team at Woodwork Amsterdam captures the anticipation and intrigue of Wilson’s Airless Basketball Prototype which was introduced to fans and players IRL during the NBA All-Star game this past weekend. [Watch]
The year of the rabbit will never be the same after this rampage of impossibly happy triple-threat bunnies created by CD Nicolas Lesaffre and the crew at Nikopicto in Hong Kong for HSBC’s PayMe mobile payment service. [Watch]
Sydney 3D motion design studio MISTER sets an ominous and foreboding tone for the new Australian crime drama Last King of the Cross (based on the autobiography of nightclub owner John Ibrahim) on Paramount+. [Watch]
Given an open brief by MAKE studio to create a short film, Seattle motion designer and 3D artist Ian Frederick takes us underwater for an abstract and effervescent exploration of cell division in “Mitosis”. [Watch]
