Elastic creative director Hazel Baird, whose resume includes breakout title work for The Morning Show on AppleTV+ and the Showtime doc Shut Up and Dribble, sets a calm and introspective tone for the new Netflix series The Andy Warhol Diaries. [Watch]
Antibody directors Patrick Clair and Raoul Marks conjure a murky and sinister sequence to set the tone for Archive 81, the new Netflix thriller/ghost story that arises thru the efforts of an archivist restoring damaged vintage videotapes. [Watch]
The Netflix feature-Length animated special Hilda & The Mountain King opens with these titles by Giant Ant, a “software-agnostic” mix of 2.5-D and cel designed to “give the audience a taste of what’s to come without any big spoilers”. [Watch]
From the team at MonoGrafo Studio in Madrid: “Jaguar is a Netflix series produced by Bambú Productions who commissioned us to make the opening titles. The story is about a group of former Nazi concentration camp prisoners who are dedicated to persecuting and bringing to justice those responsible, many of whom take refuge in Franco’s Spain. [Watch]
Julie Delpy’s new Netflix series On the Verge opens with these carefully composed stop-motion titles crafted by a small team at production and VFX studio Fugu in Paris and set to a jaunty tune by Chilly Gonzales. [Watch]
Director Yibi Hu and his animation team at Future Power Station in London poke at the boundaries of NSFW in this extraordinary sci-fi/fantasy pre-title sequence for episode 7 of the third season of Sex Education on Netflix. [Watch]
