A young girl in a blue dress with a red bow kneels on a sidewalk, peering into a storm drain—a nod to IT: Welcome to Derry. A bicycle lies nearby, and a missing person flyer rests on the ground in this small-town scene. Frame from Stash Magazine article.

Filmograph Reveals the Fear (and Fun) Under the Fantasy in “IT: Welcome to Derry” Titles

Following their 2025 Emmy-nom for The Penguin titles, CD Aaron Becker and the motion crew at Filmograph reteam with HBO but shift to a campy mid-century illustration style in this open for supernatural horror series It: Welcome to Derry. [Watch]

2025-Emmy-Nominess-for-Outstanding-Title-Design-_-STASH-MAGAZINE

Watch the 2025 Emmy Nominees for Outstanding Title Design

The 77th Emmy Awards nominees were announced July 15th with six contenders vying for the much-coveted Outstanding Title Design hardware, including Plains of Yonder (x2), Imaginary Forces, yU + co, Filmograph, and Oliver Latta. [Watch]

Best-of-Stash-2024-Titles | STASH MAGAZINE

Best of Stash 2024: Title Design!

In 2024 the task of packaging big-budget programming remained both a high pressure assignment and a canvas for motion design innovation. These seven sequences all rose to the occasion while nudging the genre forward. [Watch]

HBO The Penguin titles by Filmograph | STASH MAGAZINE

Filmograph Sets the Tone for “The Penguin” on HBO

CD Aaron Becker and the motion crew at Filmograph in Los Angeles (whose titles for The Beekeeper we featured in Stash 164) layer up a menacing atmosphere for the HBO series The Penguin. [Watch]

The Beekeeper Main Titles by Filmograph | STASH MAGAZINE

Inside the Filmograph Hive Mind on “The Beekeeper” Titles

Working with director David Ayer (Training Day, Suicide Squad), the Filmograph motion team opens action feature The Beekeeper with a tense tapestry of antique engravings, macro photography, CG, and an infinity of hexagons. [Watch]

Best-of-Stash-2023-Titles and Broadcast design | STASH MAGAZINE

Best of Stash 2023: Titles and Broadcast Design!

With so many screens vying for viewers attention, the creative task of packaging big-budget television and streaming programming has never been more important or come with so much pressure to make a dent in popular culture. [Watch]