The Beekeeper Main Titles by Filmograph | STASH MAGAZINE

Inside the Filmograph Hive Mind on “The Beekeeper” Titles

Working with director David Ayer (Training Day, Suicide Squad), the Filmograph motion team opens action feature The Beekeeper with a tense tapestry of antique engravings, macro photography, CG, and an infinity of hexagons. [Watch]

Best-of-Stash-2023-Titles and Broadcast design | STASH MAGAZINE

Best of Stash 2023: Titles and Broadcast Design!

With so many screens vying for viewers attention, the creative task of packaging big-budget television and streaming programming has never been more important or come with so much pressure to make a dent in popular culture. [Watch]

George and Tammy Main Titles Filmograph | STASH MAGAZINE

“George & Tammy” Main Title Sequence by Filmograph

With atmospheric macro photography and careful grading, director/CD Aaron Becker and the team at Filmograph transform the vinyl record mastering process into perfectly paced titles for the Showtime docuseries “George & Tammy”. [Watch]

Wednesday Series Main Title Sequence Filmograph | STASH MAGAZINE

“Wednesday” Series Main Titles by Filmograph

Director Tim Burton’s first shot at television, the new Netflix series Wednesday, opens with these appropriately spooky and only occasionally kooky titles from CD Aaron Becker and the crew at Filmograph in LA. [Watch]

Swamp Thing Series Main Titles by Filmograph

Yes, DC Universe recently canceled its streaming sci-fi series Swamp Thing but we think the show’s wonderfully ominous title sequence, created by CD Aaron Becker and the Filmograph crew in LA, deserves your attention. [Watch]

Aquaman Main on End Titles by Filmograph | STASH MAGAZINE

“Aquaman” Main on End Title Sequence

Creative directors Aaron Becker and Simon Clowes at Los Angeles prodco Filmograph crafted this richly detailed sequence of sculptural tableaux to close director James Wan’s first venture into the DC Universe. [Watch]

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