With the inauguration of the 45th US president only hours away, this explosive call to unity by NYC director and visual engineer Steve Giralt bears a powerful message, “Democracy doesn’t require uniformity, but it does require active citizenship.” [Watch]
Fresh off his Emmy win for Outstanding Main Title Design on The Man In The High Castle, Elastic director Patrick Clair invokes a touch of future-tech terror pushing 3D printing into beautiful and ominous new territory in these opening credits from Episode 1 of Westworld on HBO. [Watch]
What started out for Buenos Aires studio Plenty as a straightforward project to recreate Rio de Janeiro in full CG, soon evolved into a complex experiment merging a sweeping practical MDF miniature of the city and 10 3D-printed statues of olympic athletes with projection mapping. [Watch]
Blinkink director Greg Barth corals the 3D printing talents of the master modelers at Propshop and the VFX chops of Framestore for a series of complex stop-motion/CG spots for Lenovo’s ‘Goodweird’ campaign thru agency MullenLowe. [Watch]
Just outside Boston in Somerville, Massachusetts, Jessica Rosenkrantz, Jesse Louis-Rosenberg and their small team at Nervous System explore the intersection of science, art, and technology – writing code based on processes and patterns found in nature to create art, jewelry, clothes and housewares. [Watch]
