Stash 120 Now Online: Watch the Preview!

Twelve years and 120 issues later, the Stash Permanent Collection keeps growing – delivering inspiration and insight to subscribers on six continents with access to over 4,400 outstanding design, animation and VFX projects PLUS behind-the-scenes features and exclusive Stash interviews. [Watch]

JWT_wwf tiger | STASH MAGAZINE

Martin Stirling and MPC: WWF “Tiger in suburbia”

Saving endangered tigers, like all donation-powered ventures, requires a powerful emotional connection between those with the means to donate and those needing help. Mission accomplished in this spot from Partizan director Martin Stirling, the MPC CG feline team, and JWT London for The World Wildlife Fund. [Watch]

chanel 16 Camellia | STASH MAGAZINE

Cyrille Smaha: Chanel “The Camellia”

French motion designer/director Cyrille Smaha and illustrator Roxane Lagache re-team to continue their on-going series of elegant and energized brand films for Chanel with episode #16 focused on Coco Chanel’s obsession with “The Camellia.” Produced thru Paris prodco Falabracks. [Watch]

Sam Fell passion_sainburys Perfect Gift | STASH MAGAZINE

Behind the Scenes of Sainsbury’s “The Greatest Gift Is Me”

Oscar-nominated Passion Animation director Sam Fell updates traditional stop-motion characters with 3D-printed expressions for this year’s Sainsbury holiday film thru AMV BBDO complete with the voice talents of James Corden and a track by Flight of the Conchords’ Bret McKenzie. [Watch]

promescent the O gap| STASH MAGAZINE

Aardman: Promescent “The O Gap”

So, just how does one promote a spray designed to delay male orgasm during sex? Director Tim Ruffle and the Aardman crew decided the answer lay in wit, wisdom, and cheeky vignettes all rendered in a confectioner’s palette. [Watch]

john-lewis Buster the boxer | STASH MAGAZINE

MPC and Dougal Wilson: John Lewis “Buster The Boxer”

The team behind the emotional 2015 John Lewis holiday spot “Monty’s Christmas” (Blink director Dougal Wilson, MPC and agency adam&eveDDB) are back and while the tear-jerking factor is lower in “Buster The Boxer,” the story telling and VFX work remain exceptional. [Watch]

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