Reebok Pump by The Others Director’s cut | STASH MAGAZINE

“Reebok Pump” by The Others (Director’s Cut)

From The Others animation studio in Barcelona: “The Reebok Pump line of athletic shoes was first released in 1989. It was the first shoe to have an internal inflation mechanism that regulated a unique fitting cushion in the lower and upper tongue to provide locking around the ankle. [Watch]

Koop Craft CG brand film by James Brocklebank | STASH MAGAZINE

Koop “Craft” Brand Film by James Brocklebank

London designer/director James Brocklebank complements the fine bespoke craftsmanship of UK furniture designers and makers Koop with two films featuring his own talents for immaculate and tasteful CG animation. [Watch]

Ballantine’s Too Good To Hide by Found Studio | STASH MAGAZINE

Ballantine’s “Too Good To Hide” by Found Studio

Originally intended as a live-action project, Found Studio in London suggested the ambitious scale of this film for Scottish whiskey maker Ballantine’s would be better served with a full-CG treatment. [Watch]

Christoph Grünberger Analog Algorithm by Florian Renner | STASH MAGAZINE

Analog Algorithm Design Book Promo by Florian Renner

Munich designer/artist/director Florian Renner blends his talents for graphic and 3D design into a striking promotional film for Analog Algorithm, a new design book by German illustrator and designer Christoph Grünberger. [Watch]

Honest Tea "Small Decision, Big Impact" | STASH MAGAZINE

Honest Tea “Small Decision, Big Impact”

Passion Animation directors Mark Waring and Anna Mantzaris collaborate on a warm and fuzzy hand-crafted stop motion short for Honest Tea “encouraging people to look at the impact of the decisions we make every day.” [Watch]

BASF Automotive Trend Visuals brand film by foam Studio | STASH MAGAZINE

BASF “Automotive Trend Visuals” by f°am Studio

In this collaboration with the global design team of BASF’s Coatings division, f°am Studio in Berlin interpret the global research of the group “and consolidate the complex social, technological, and aesthetic trends into formal narratives.” [Watch]