The four members of new French directing collective Brutus (Thibaud Clergue, Aurélien Duhayon, Sébastien Iglesias and Camille Perrin) all graduated from the animation program at the Arles campus of Supinfocom in 2012 and just dropped us their first short film: a grindhouse-flavored concoction of speed and death called “Horde.”
“We tried to find an original look for this film so we mixed different kinds of renders. We also mixed different kinds of animation like a pose to pose in 12 fps for the characters, and a more fluid animation for clothes and props. We mainly used 3ds Max with V-Ray, Mari, Flash, Photoshop and After Effects.” [Watch]
No doubt time-lapse films are everywhere these days and some say the time for time-lapse has lapsed. But director Timothy Melville and cinematographer Nathan Kaso are out the convince you otherwise with this sweeping branded film for Australian car maker Holden, shot over seven nights across the wilderness of Tasmania.
“We travelled over 2,000km through the barren hills of Queenstown, to the vibrant streets of Hobart and finished on the dolerite plateau of Ben Lomond National Park. We captured nearly 20,000 still images, shooting from dusk until dawn and averaged just four hours sleep per day.” [Watch]
French directing duo Quentin Baillieux and Raphaëlle Tinland (aka Parallel) strike an artful and atmospheric balance of 2D and 3D techniques in this online brand film animated by Ann lou Erambert for Italian watch makers Anonimo who carve (rather than cast) the cases for their timepieces out of solid brass. [Watch]
Paris directing collective PLANKTOON (aka Sun, Alban, Fabrice, Alexandre and Sebastien) step outside their usual realm of fun/colorful 3D character work for this powerful monochrome fundraising appeal created for French AIDS charity Sidaction thru Passion Paris and Leo Burnett. If you have kids of any age, it’s hard not to get caught up in the drama of the vignettes. [Watch]
Zeitguised, Berlin’s grand masters of cool weirdness, help launch Odiseo Magazine No.4 with this clip called “sim | stim” which they describe as “a cargo cult of sensual nano-alchemy.”
Commissioned by independent Spanish CD Carlota Santamaría, and creative directed by Santamaría and Albert Folch for Odiseo, the film “celebrates temporary mummification of the body by engaging in an erotic relationship with shape changing clouds of synthetic material.” [Watch]
London branding powerhouse DixonBaxi just launched their new site with a slew of new work including this punchy broadcast redesign for Sony TV across Latin-America anchored by clean typography, flat graphics and sleek CG. [Watch]
